«I’le to My Self, and to My Muse Be True»: Strategies of Self-Authorization in Eighteenth-Century Women Poetry: 32 (Muensteraner Monographien zur ... / Muenster Monographs on English Literature) - Softcover

9783631581421: «I’le to My Self, and to My Muse Be True»: Strategies of Self-Authorization in Eighteenth-Century Women Poetry: 32 (Muensteraner Monographien zur ... / Muenster Monographs on English Literature)
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In their verse, many British women composing poetry in the long eighteenth century wrote about and reflected on the very process of writing itself. In doing so, they often imitated and adapted specific poetic topoi, motifs, and generic patterns established by their male predecessors and peers including, among others, Homer, Ovid, and Juvenal, Dryden, Pope, and Swift. In exploring the phallic connotations of `pen and ink', in invoking the assistance of a personal muse, in writing sharp and effective `self-satires', and in identifying themselves with Philomela, the mythological persona of the nightingale, women like Anne Finch, Mary Chudleigh, Sarah Dixon, Mary Leapor, Anna Letitia Barbauld, and Charlotte Smith fashioned and authorized themselves as (female) poets.

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About the Author:
The Author: Kirsten Juhas studied English language and literature, German language and literature, and Cultural Studies at the Westfalische Wilhelms-Universitat, Munster. From 1998 to 2003, she worked as a Research Assistant at the English Department as well as at the Ehrenpreis Centre for Swift Studies. She submitted her doctoral dissertation to the University's Faculty of Arts in 2007.

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  • PublisherPeter Lang AG
  • Publication date2008
  • ISBN 10 3631581424
  • ISBN 13 9783631581421
  • BindingPaperback
  • Number of pages318

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Book Description Taschenbuch. Condition: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -In their verse, many British women composing poetry in the long eighteenth century wrote about and reflected on the very process of writing itself. In doing so, they often imitated and adapted specific poetic topoi, motifs, and generic patterns established by their male predecessors and peers including, among others, Homer, Ovid, and Juvenal, Dryden, Pope, and Swift. In exploring the phallic connotations of 'pen and ink', in invoking the assistance of a personal muse, in writing sharp and effective 'self-satires', and in identifying themselves with Philomela, the mythological persona of the nightingale, women like Anne Finch, Mary Chudleigh, Sarah Dixon, Mary Leapor, Anna Letitia Barbauld, and Charlotte Smith fashioned and authorized themselves as (female) poets. 314 pp. Englisch. Seller Inventory # 9783631581421

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Kirsten Juhas
Published by Peter Lang (2008)
ISBN 10: 3631581424 ISBN 13: 9783631581421
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Book Description Taschenbuch. Condition: Neu. Druck auf Anfrage Neuware - Printed after ordering - In their verse, many British women composing poetry in the long eighteenth century wrote about and reflected on the very process of writing itself. In doing so, they often imitated and adapted specific poetic topoi, motifs, and generic patterns established by their male predecessors and peers including, among others, Homer, Ovid, and Juvenal, Dryden, Pope, and Swift. In exploring the phallic connotations of 'pen and ink', in invoking the assistance of a personal muse, in writing sharp and effective 'self-satires', and in identifying themselves with Philomela, the mythological persona of the nightingale, women like Anne Finch, Mary Chudleigh, Sarah Dixon, Mary Leapor, Anna Letitia Barbauld, and Charlotte Smith fashioned and authorized themselves as (female) poets. Seller Inventory # 9783631581421

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