A Socialist Realist History?: Writing Art History in the Post-War Decades (Das östliche Europa: Kunst- und Kulturgeschichte - Band 009) (Das Ostliche Europa: Kunst- Und Kulturgeschichte) - Hardcover
How did the Eastern European and Soviet states write their respective histories of art and architecture during 1940s-1960s? The articles address both the Stalinist period and the Khrushchev Thaw, when the Marxist-Leninist discourse on art history was "invented" and refined. Although this discourse was inevitably "Sovietized" in a process dictated from Moscow, a variety of distinct interpretations emerged from across the Soviet bloc in the light of local traditions, cultural politics and decisions of individual authors. Although the new "official" discourse often left space open for national concerns, it also gave rise to a countermovement in response to the aggressive ideologization of art and the preeminence assigned to (Socialist) Realist aesthetics.
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- PublisherBohlau Verlag GmbH & Cie
- Publication date2019
- ISBN 10 3412511617
- ISBN 13 9783412511616
- BindingHardcover
- Edition number1
- Number of pages279
- EditorKrista Kodres, Michaela Marek, Kristina Jõekalda
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Book Description Hardcover. Condition: new. Hardcover. How did the Eastern European and Soviet states write their respective histories of art and architecture during 1940sa 1960s? The articles address both the Stalinist period and the Khrushchev Thaw, when the Marxist-Leninist discourse on art history was a inventeda and refined. Although this discourse was inevitably a Sovietizeda in a process dictated from Moscow, a variety of distinct interpretations emerged from across the Soviet bloc in the light of local traditions, cultural politics and decisions of individual authors. Even if the new a officiala discourse often left space open for national concerns, it also gave rise to a countermovement in response to the aggressive ideologization of art and the preeminence assigned to (Socialist) Realist aesthetics. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9783412511616
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Book Description Hardcover. Condition: new. Hardcover. How did the Eastern European and Soviet states write their respective histories of art and architecture during 1940sa 1960s? The articles address both the Stalinist period and the Khrushchev Thaw, when the Marxist-Leninist discourse on art history was a inventeda and refined. Although this discourse was inevitably a Sovietizeda in a process dictated from Moscow, a variety of distinct interpretations emerged from across the Soviet bloc in the light of local traditions, cultural politics and decisions of individual authors. Even if the new a officiala discourse often left space open for national concerns, it also gave rise to a countermovement in response to the aggressive ideologization of art and the preeminence assigned to (Socialist) Realist aesthetics. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. Seller Inventory # 9783412511616
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Book Description Hardcover. Condition: new. Hardcover. How did the Eastern European and Soviet states write their respective histories of art and architecture during 1940sa 1960s? The articles address both the Stalinist period and the Khrushchev Thaw, when the Marxist-Leninist discourse on art history was a inventeda and refined. Although this discourse was inevitably a Sovietizeda in a process dictated from Moscow, a variety of distinct interpretations emerged from across the Soviet bloc in the light of local traditions, cultural politics and decisions of individual authors. Even if the new a officiala discourse often left space open for national concerns, it also gave rise to a countermovement in response to the aggressive ideologization of art and the preeminence assigned to (Socialist) Realist aesthetics. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. Seller Inventory # 9783412511616
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