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Book Description Condition: New. Brand New. Seller Inventory # 3037640278
Book Description Hardcover. Condition: new. Seller Inventory # 9783037640272
Book Description Hardcover. Condition: New. Bright, fresh hardcover in glossy dust jacket. No marks or flaws; no sign of handling or wear. Seller Inventory # DB-8023-0S8Q
Book Description Condition: New. Seller Inventory # 9118302-n
Book Description Condition: Neuf. Seller Inventory # 9783037640272
Book Description Condition: New. Seller Inventory # 9118302-n
Book Description Condition: New. Editor(s): Ruf, Beatrix. Num Pages: 160 pages, 112 colour illustrations. BIC Classification: AGB. Category: (G) General (US: Trade). Dimension: 272 x 217 x 18. Weight in Grams: 788. . 2009. Hardback. . . . . Seller Inventory # V9783037640272
Book Description Paperback. Condition: New. Seller Inventory # Abebooks506216
Book Description Condition: New. Editor(s): Ruf, Beatrix. Num Pages: 160 pages, 112 colour illustrations. BIC Classification: AGB. Category: (G) General (US: Trade). Dimension: 272 x 217 x 18. Weight in Grams: 788. . 2009. Hardback. . . . . Books ship from the US and Ireland. Seller Inventory # V9783037640272
Book Description Hardcover. Condition: new. Hardcover. This book documents Lutes' 2009 retrospective exhibition at the Renaissance Society, which included work from 1982 to 2006. While a retrospective affords a chance to construct a narrative of an artist's development, Lutes stylistic development hardly allows for an analysis following an evolutionary model. Figuration and abstraction coexist in constantly changing degrees. As essayist John Corbett says, "It is the central point of [Lutes] work, in fact, to tease out the productive tension from those two types of painting." Lutes' work has been variously associated with Chicago imagism, Northwest Coast abstraction, so-called "bad" painting, and postmodern appropriation, to name a few. While none of these associations are wrong per se, to understand his work within the narrow context of any single movement would be a mistake. Lutes work is resolutely uncategorizable, an independent pursuit that acknowledges such art movements but never quite fits any given mold, which could arguably be considered the quintessential definition of a Midwestern artist. Hamza Walker offers an introductory overview of Lutes' career to date, while Corbett's wide-ranging essay touches on connoisseurship, coffee, and cymbals in the process of refuting the false dichotomy of abstraction and figuration. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. Seller Inventory # 9783037640272