Potentials of Spaces: The Theory and Practice of Scenography and Performance - Softcover

9781841501376: Potentials of Spaces: The Theory and Practice of Scenography and Performance
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"The Potentials of Spaces" interrogates the relationship between scenography and performance in contemporary dramatic activities. The book provides an illuminating platform for discussion concerning the interrelations between theatrical movement and gesture in physical space. In exploring territories of performance, the author equally combines theoretical research with details of dramatic methods and performances, thus providing a valuable insight into working practices. Avant-garde and experimental approaches towards sensory, spatial and visual aspects of the stage are described and explored. Through a discussion regarding the performance possibilities viable through technological development and new media in recent years, the book aims to challenge tradition and inspire new creative directions upon the stage. The book breaks new ground on dramatic and spatial awareness within the tropics of theatre. An essential text for those interested in, or studying, theatrical practice and scenography.

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Review:
"Oddey and White's book is a must for anyone engaging in areas of performance and scenography, immensely readable and profound. This international collection of scholarly chapters gives readers the latest thinking, practice and research in this subject." -- Professor Lawrence Wallen, Head of postgraduate studies in scenography, School of Art and Design, Zurich
Synopsis:
This book will be used by students of directing, acting, design, theatre studies, performance and dance studies, installation art and visual design for performative forms. The breadth of international work covered in these essays is exciting and informative. A classic text on the burgeoning fields of scenography and performance and multimedia technologies. This book covers scenography and performance in opera, theatre, live art and site specific works. It looks at the movements of theatre making and the development of experimental processes for the theatre and creative arts. The essential questions that this exciting book addresses are: What are the creative partnerships for performance making? What kinds of spaces are used? What are the potentials of technologies for performance? How do practitioners write and rehearse performance? This book is the first of its kind that addresses the relationships between scenography and performance as a part of the visual culture, by developing the discourse between academics and practitioners.

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