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Book Description Hardcover. Condition: New. Excellent condition. Interior is tight, bright and clean; no underlining, notes or highlighting. Hard covers are tight and stiff. Complete with original and sticker free paper dust cover. Still in the publisher's shrink wrap. Multiple copies available. 100% Satisfaction Guaranteed. All items are carefully enclosed with bubble wrap. We ship promptly and worldwide via US Post and will email you a tracking number. Seller Inventory # SKU0051155
Book Description Hardcover. Condition: New. Seller Inventory # 1606060554-11-23944178
Book Description Hardcover. Condition: New. Seller Inventory # 1606060554-11-23944957
Book Description Condition: New. Buy with confidence! Book is in new, never-used condition. Seller Inventory # bk1606060554xvz189zvxnew
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Book Description Hardcover. Condition: New. Windmills were ubiquitous in seventeenth-century Holland and they remain the best-known symbol of the Dutch landscape. Jacob van Ruisdael first depicted them as a precocious teenager and continued to represent all types in various settings until his very last years. Water mills, in contrast, were scarce in the new Dutch Republic, found mainly in the eastern provinces, particularly near the border with Germany. Ruisdael discovered them in the early 1650s and was the first artist to make water mills the principal subject of a landscape. His most celebrated painting, 'Windmill at Wijk bij Duurstede' at the Rijksmuseum, and the J. Paul Getty Museum's 'Two Undershot Water Mills with an Open Sluice' are the centerpieces of this overview of the artist's depictions of windmills and water mills. Both depended upon forces of nature for their operation, but their use in the Netherlands and their place in seventeenth-century Dutch art differed considerably. This book examines their role in Holland and introduces readers to the pleasure of studying Ruisdael's images of them, a joy conveyed by the English landscapist John Constable in a letter written to his dearest friend after seeing a Ruisdael painting of a water mill in a London shop: 'It haunts my mind and clings to my heart.'. Seller Inventory # 64516
Book Description Hardcover. Condition: New. Windmills were ubiquitous in seventeenth-century Holland and they remain the best-known symbol of the Dutch landscape. Jacob van Ruisdael first depicted them as a precocious teenager and continued to represent all types in various settings until his very last years. Water mills, in contrast, were scarce in the new Dutch Republic, found mainly in the eastern provinces, particularly near the border with Germany. Ruisdael discovered them in the early 1650s and was the first artist to make water mills the principal subject of a landscape. His most celebrated painting, 'Windmill at Wijk bij Duurstede' at the Rijksmuseum, and the J. Paul Getty Museum's 'Two Undershot Water Mills with an Open Sluice' are the centerpieces of this overview of the artist's depictions of windmills and water mills. Both depended upon forces of nature for their operation, but their use in the Netherlands and their place in seventeenth-century Dutch art differed considerably. This book examines their role in Holland and introduces readers to the pleasure of studying Ruisdael's images of them, a joy conveyed by the English landscapist John Constable in a letter written to his dearest friend after seeing a Ruisdael painting of a water mill in a London shop: 'It haunts my mind and clings to my heart.'. Seller Inventory # 64521
Book Description Hardcover. Condition: new. New. Seller Inventory # Wizard1606060554
Book Description Hardcover. Condition: new. New Copy. Customer Service Guaranteed. Seller Inventory # think1606060554