'The only factors that unite her works are her penchant for dark psychological perception; and their excellence' THE TIMES
In 1970, Harold Stamp, a retarded, reclusive twenty year-old was convicted on disputed evidence and a retracted confession of brutally murdering his grandmother - the one person who understood and protected him. Less than three years later he is dead, driven to suicide by isolation and despair.
Jonathan Hughes, an anthropologist specialising in social stereotyping, is determined to re-examine this case. There were alarming disparities in the evidence and Hughes has little doubt that there has been a terrible miscarriage of justice. But there is also something else pushing this half-Iranian, half-Libyan outsider to reach for the truth . . .
This is more than a mere expose of corruption, it is a dark tale of solitude and the relentless need to contain aberration and section evil.
'Minette Walters has stormed her way into crime fiction. With her first three books she claimed the highest accolades the crime-writing world can bestow . . . A seductive writer with an imagination that makes her dangerous to know' SUNDAY EXPRESS
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Disordered Minds builds on her rich mélange of gifts and continues to strip-mine darker areas of the human psyche than most contemporary novelists--literary or otherwise--are keen to tackle. It's the 1970s: a man dies in prison after a controversial conviction for killing his grandmother. Howard Stamp, an educationally subnormal young man, takes his own life, and the case generates movements claiming Stamp's innocence. Anthropologist Jonathan Hughes digs deeper than the police had originally done, and when Jonathan's path crosses that of the elderly George Gardener, long an advocate of the hapless Stamp's innocence, Gardener co-opts Jonathan in an attempt to clear the dead man's name. But there are some frightening consequences, such as the fact that the real killer will not like being put in the frame again.
As always, Walters is interested in far more than the simple mechanics of crime-novel plotting: Despite their differences, Jonathan Hughes finds that the backward Stamp is still something of a doppelganger of himself, mirroring his own disturbed childhood and sense of alienation, while the background of a pending conflict in Iraq throws the personal dramas sharply into relief. This is Walters at her disturbing best. --Barry Forshaw
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