Of all the filmmakers who created a new international cinema in the 1960s and 1970s, the young German writer-director Rainer Werner Fassbinder was one of the most prolific and arguably the most gifted. In more than 40 films, from the 1969 neogangster "Love is Colder than Death", to the 1980 14-part epic Berlin "Alexanderplatz" and such late masterpieces as "The Marriage of Maria Braun", he assembled a body of work remarkable in its range and in its sustained focus. In this collection of writings by and about Fassbinder, revealing statements by the artist himself are made available in English. Film historian Thomas Elsaesser provides a critical framework and Georgia Brown, film critic for "New York City's Village Voice" contributes a personal look at the paradoxes of Fassbinder's style. Frankfurt film critic Wolfram Schutte examines Fassbinder's place within postwar German film history, with a look at the intricacies of funding and cultural politics that shaped the work.
The volume also contains a complete illustrated filmography and personal recollections by friends and colleagues, including Fassbinder's editor, Juliane Lorenz, the actresses Hanna Schygulla and Jeanne Moreau, and fellow directors Wim Wenders and Volker Schlondorff. Laurence Kardish is the organizer of a Fassbinder film retrospective which opens at the Museum of Modern Art in January 1997.