Organized by the elements of fiction and comprised primarily of writing exercises, this text helps students hone and refine their craft with a practical, hands-on approach to writing fiction.
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Book Description paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!. Seller Inventory # S_399280597
Book Description Condition: Acceptable. The item is very worn but continues to work perfectly. Signs of wear can include aesthetic issues such as scratches, dents, worn and creased covers, folded page corners and minor liquid stains. All pages and the cover are intact, but the dust cover may be missing. Pages may include moderate to heavy amount of notes and highlighting, but the text is not obscured or unreadable. Page edges may have foxing (age related spots and browning). May NOT include discs, access code or other supplemental materials. Seller Inventory # 31UTLL002JLZ_ns
Book Description Condition: Good. SHIPS FROM USA. Used books have different signs of use and do not include supplemental materials such as CDs, Dvds, Access Codes, charts or any other extra material. All used books might have various degrees of writing, highliting and wear and tear and possibly be an ex-library with the usual stickers and stamps. Dust Jackets are not guaranteed and when still present, they will have various degrees of tear and damage. All images are Stock Photos, not of the actual item. book. Seller Inventory # 6-082305005X-G
Book Description Softcover. Condition: Good. Immediate dispatch from Somerset. Nice older book in good condition. Pages in good condition. Some tanning and marking due to age. No notes or highlighting. See images. Fantastic book. About the book >.>.> Writing like a writer is about craft and means gaining absolute control over your material and your tools. It means, for instance, knowing when to use dialogue and when to summarize discourse, learning how to use adjec- tives and adverbs that is, sparingly and concentrating on the specific rather than the vague and abstract. It means anchoring your story in a par- ticular time and place; beginning writers often neglect to supply basic and crucial information: Who are these characters? Where are they? When is this story taking place? Thinking like a writer is more complex, because it involves the uncon- scious. You can rely just so much on your five senses; after that you must call on curiosity, imagination, and skepticism-an open attitude not to be confused with cynicism. Skepticism obliges you to look beneath the obvi- ous to get at the true meaning of, say, a smile, a crying jag, or a burst of anger. Things, in other words, are rarely what they seem. The writer must "t. Seller Inventory # Batch-FM388-G-9137