The Eye's Mind: Literary Modernism and Visual Culture - Hardcover

Jacobs, Karen

Hardcover

ISBN 10: 0801437490 ISBN 13: 9780801437496

Publisher: Cornell University Press, 2000

Synopsis

The Eye's Mind significantly alters our understanding of modernist literature by showing how changing visual discourses, techniques, and technologies affected the novels of that period. In readings that bring philosophies of vision into dialogue with photography and film as well as the methods of observation used by the social sciences, Karen Jacobs identifies distinctly modernist kinds of observers and visual relationships. This important reconception of modernism draws upon American, British, and French literary and extra-literary materials from the period 1900-1955. These texts share a sense of crisis about vision's capacity for violence and its inability to deliver reliable knowledge. Jacobs looks closely at the ways in which historical understandings of race and gender inflected visual relations in the modernist novel. She shows how modernist writers, increasingly aware of the body behind the neutral lens of the observer, used diverse strategies to displace embodiment onto those "others" historically perceived as cultural bodies in order to reimagine for themselves or their characters a "purified" gaze. The Eye's Mind addresses works by such high modernists as Vladimir Nabokov, Virginia Woolf, and (more distantly) Ralph Ellison and Maurice Blanchot, as well as those by Henry James, Zora Neale Hurston, and Nathanael West which have been tentatively placed in the modernist canon although they forgo the full-blown experimental techniques often seen as synonymous with literary modernism. Jacobs reframes fundamental debates about modernist aesthetic practices by demonstrating how much those practices are indebted to the changing visual cultures of the twentieth century.

About this title

Review:

"A highly nuanced picture of the racial and sexual frames of the modernists eye's mind."

--American Literature

"The Eye's Mind offers a richly synthetic account of modernism's visual subjects. Indeed, Jacobs is among the first to situate literary modernism within a systematic analysis of visual culture, one that draws on the work of Martin Jay, Luce Irigaray, Susan Bordo, and Robyn Wiegman (among others).... Jacob's strength as a critic lies in her ability to offer fresh, complex readings of theoretical and literary texts and to juxtapose them in surprising and productive ways."

--MFS: Modern Fiction Studies,

"The Eye's Mind is a study of literary modernism that we have needed for a long while. Our post-structuralist obsession with visuality is everywhere apparent; but it has taken a scholar with Karen Jacobs's deep learning and range of knowledge to help us understand.... She is able to do this, and to do this so well, because her study is genuinely interdisciplinary; its primary strength lies precisely in its synthetic and comparativist aims."

--Modernism/modernity

"Jacobs presents a truly fresh analysis of the impact of visual culture on modernist literature.... A consistent, synthetic study that does not disintegrate into theoretical chaos; rather, the integration of all these perspectives into a clear, focused argument is impressive and refreshing."

--Choice

"This is a lucid, well-researched and documented book that successfully contributes to the critical reimagining of the field of Modernism that has been taking place for the past 20+ years."

--Woolf Studies Annual

Synopsis:

This text challenges our understanding of modernist literature by showing how changing visual discourse, techniques and technologies affected the novels of that period. In readings that bring philosophies of vision into dialogue with photography and film as well as the methods of observation used by the social sciences, Karen Jacobs identifies distinctly modernist kinds of observers and visual relationships. This reconception of modernism draws upon American, British and French literary and extra-literary materials from the period 1900-1955. These texts share a sense of crisis about vision's capacity for violence and its inability to deliver reliable knowledge. Jacobs looks closely at the ways in which historical understanding of race- and gender-inflected visual relations in the modernist novel. She shows how modernist writers, increasingly aware of the body behind the neutral lens of the observer, used diverse strategies to displace the embodiment onto those "others" historically perceived as cultural bodies in order to reimagine for themselves or their characters a "purified" gaze.

The study addresses works by such high modernists as Vladimir Nabokov, Virginia Woolf and (more distantly) Ralph Ellison and Maurice Blanchot, as well as those by Henry James, Zora Neale Hurston and Nathanael West which have been tentatively placed in the modernist canon although they forgo the full-blown experimental techniques often seen as synonymous with literary modernism. Jacobs reframes fundamental debates about modernist aesthetic practices by demonstrating how much those practices are indebted to the chaning visual cultures of the 20th century.

About this edition

• Publisher: Cornell University Press
• Publication date: 2000
• ISBN 10: 0801437490
• ISBN 13: 9780801437496
• Binding: Hardcover
• Number of pages: 336