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There are omissions and odd choices, as in any selection of this scope, but Toibin's introduction cleverly justifies his selection, as well as taking the reader through the peculiar history of Irish writing. "The purpose of much Irish fiction, it seems," he suggests, "is to become involved in the Irish argument" over politics and nationalism. While skilfully moving through the highly charged writing of Goldsmith, Moore, Flann O'Brien and Friel, Toibin also notes a waning of radicalism in current Irish writing and asks, "now that the violence is fading and the society moves slowly towards Anglo-Irish Agreement and European Union, will we see a waning of the national themes in Irish writing?" The answer is probably yes, but the richness and diversity of Toibin's collection suggest that Irish writing is alive and well, whatever its future direction. --Jerry Brotton
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