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His attention to emotional detail is what made his previous book Stalingrad such a magnificent work, combining a sweeping hisorical narrative with a remarkable sensitivity to human drama. Yet he also highlights the small details of ordinary people caught in the nightmare of history--the sick children evacuated at the last minute from a Potsdam hospital; the Soviet soldiers shaving themselves for the first time in weeks so that they would make appropriately presentable conquerors; and the Nazi Youth teenagers peddling their bikes in despairing, last-ditch attacks against the Red Army's tanks.
The story Beevor tells is an almost unremittingly terrible one--one of death, rape, hunger and human misery--but he tells it with both an epic sweep and an alertness to individuality. The result is a masterpiece of narrative history that is as powerful as Stalingrad. --Nick Rennison
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