Look Back in Anger transformed the face of British theatre; legend has it that audiences gasped at the sight of an ironing board on a London stage. John Osborne's play launched the 'angry young men' movement, writers from working or middle class background who had become disillusioned with British society, were sick of contemporary theatre's escapism, and wanted their work to reflect life as they knew it.
The play tells the story of a love triangle between Jimmy, an intelligent and educated man of working class background, his upper-middle-class wife Alison, and her superior and disdainful best-friend Helena. Jimmy hates his wife's background, almost as much as he hates himself. Dark and savage, Look Back in Anger makes readers and audiences re-examine what was once called 'the good life'.
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Michael Billington has been theatre critic of the Guardian since 1971 and of Country Life since 1986. He is the author of biographies of Harold Pinter and Peggy Ashcroft, critical studies of Tom Stoppard and Alan Ayckbourn, of a celebration of Ken Dodd, a collection of reviews, One Night Stands, State of the Nation: British Theatre since 1945, which won the Theatre Book Prize 2008, and The 101 Greatest Plays: From Antiquity to the Present. He has also edited Directors' Shakespeare: Twelfth Night and Stage and Screen Lives selected from the Dictionary of National Biography.
He frequently lectures and broadcasts on the arts, teaches drama for the University of Pennsylvania and is a Visiting Professor at King's College, London and an Honorary Fellow of St Catherine's College, Oxford.
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