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Born into an unorthodox Irish Protestant family, she never lost her sense of being an outsider in England--a theme meditated upon in several of her finest novels. At Oxford University just before the Second World War she was a dedicated member of the Communist Party and an avowed bohemian. Stalin and a wartime spell in the civil service dimmed her commitment to Communism (in the 1980s she even voted Conservative) but she always remained a "free spirit". One former lover described her as being "monumentally unfaithful" and throughout her adult life she conducted numerous affairs with men and women. If her fictions sometimes presented interrelations of almost Shakespearean complexity, Murdoch's own trysts with Nobel Prizewinner Elias Canetti, the novelist Brigid Brophy and the philosopher Philippa Foot were no less dramatic. Later she praised monogamy, attacking the very promiscuity of her youth. Conradi acknowledges rather than condemns Murdoch's contradictions, presenting us with a fallible, mercurial human being--the inspiring college lecturer who was sometimes too wrapped up in her own problems to teach; the advocate of tolerance who could be censorious; the existentialist who questioned freedom as a value in morals and the novelist who sought critical approval and yet was nauseated by praise. --Travis Elborough
Dame Iris Murdoch, who died in 1999, played a major role in English life and letters for nearly half a century, and became an icon to a generation. As a novelist, as a thinker, and as a private individual, her life has great significance for our age, and the adjective 'Murdochian' has entered the language to describe a world of baroque coincidence and erotic imbroglio.
Iris Murdoch's life – like her books – was full of extraordinary passions and profound relationships with some of the most inspiring and influential thinkers, artists, writers and poets of her time. During the war she pondered Aldous Huxley's doctrine that, for a writer, 'it is not what one has experienced but what one does with what one has experienced that matters,' and she wrote that the person who might help her better herself 'must not distinguish between me and my work.' She was sometimes portrayed as a bourgeois grandee living an unworldly, detached intellectual life, inventing a fantastical alternative world for compensation. 'Real life is so much odder than any book,' she wrote to a friend, and her life was as exciting and improbable as her fiction. Her novels are not just stylised comedies of manners with artificial complications, but reflect passionately lived experience, albeit wonderfully transmuted. Peter Conradi's biography returns the reader to her best work, through a quest for the living flesh-and-blood creature: the Irishwoman, the Communist-bohemian, the Treasury civil servant, the worker in Austrian refugee-camps, the RCA lecturer during the 1960's, the lifelong devotee of friendship conducted at a distance and by letter, and the Buddist-Christian mystic. It balances the formative years before the creative confusion of youth gave way to a greater stability, with an account of her maturity.
In books such as 'The Bell. A Fairly Honourable Defeat, The Black Prince' and the Booker Prize-winning 'The sea, The sea', Iris Murdoch introduced a new moral seriousness to the English novel, and her philosophical works established her as one of the leading thinkers of the twentieth century. Peter Conradi, who knew her well, has had unrestricted access to a vast range of her journals, letters and papers, as well as to her own and her friends' recollections. This is not just an extraordinarily full and illuminating biography, but a superb history of a generation that has profoundly influenced our world today.
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