Known by many as the greatest dancer of her time, Isadora Duncan was the matriarch of creative self-expression. A pioneer in the dance world and the women's movement, her name is synonymous with originality, spontaneity, and intrigue. She was the first woman to break simultaneously the barriers of art, love, fashion, sex, religion and marriage. Dorothy Parker christened her 'Duncan disorderly', praising her as 'magnificent, generous, gallant and fated'.
Finally, here is a biography that does justice to the life of this unforgettable and exceptional woman. Hers was a life marked by tragedy - she never recovered from the accidental drowning of her two small children and was plagued by alcoholism. She died in a car accident in 1927; her scarf became entangled in the wheel of her car during a joy ride on the French Riviera and she was strangled.Never before has the life of Isadora Duncan been given such thorough and sweeping treatment.
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Such adventurous living had its costs. At 40 she was a "prematurely aged and bloated woman, coarsened by terrible trials" (including the tragic drowning of her two children), "labouring through gossamer steps and classical evocation". Kurth describes her decline with a great deal of compassion; unfortunately it is actually quite difficult to like Duncan. She emerges as a distinctly indulgent and, frankly, unpleasant, racist prima donna--a belle époque Joan Crawford with a dash of Judy Garland thrown in. This "Muse of the Modernists" might have danced like an angel but, as this exemplary book reveals, she was a bit of a devil offstage.--Travis Elborough END
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