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This debut novel depends on standard character and plot devices--a detective with a dying marriage, an alcohol problem and a growing affection for Margaret; and a conventional use of flashbacks to the past as a way of highlighting the emptiness of the present. Despite this, it is an unusually well-written thriller. Bringing the killer to justice is gradually eclipsed by the story of how Margaret deals with the brutal death of her only child, and the issues from her past she is forced to confront. If the prose seems a little forced at times (Parson's obsession with subtle detail sometimes fails to ring true), there is still plenty here for those who like their thrillers to be more than the just the good guys versus the bad. --Claire Allfree
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