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Book Description Hardcover. Condition: new. Hardcover. In December 1941, German police and their local collaborators shot 2,749 Jews at the beach in Skede, near Liepaja, Latvia. Twelve photographs were taken at the scene. These now-infamous images show people in extreme distress, sometimes without clothing. Some capture the very moments when women and children confronted their imminent deaths, while others show their dead bodies. They are nearly unbearable to look at--so why should we? Framing the Holocaust offers a multidimensional response to this question. While photographs are central to our memory of modern historical events, they often inhabit an ambivalent intellectual space. What separates the sincere desire to understand from voyeuristic curiosity? Comprehending atrocity photographs requires viewers to place themselves in the very positions of the perpetrators who took the images. When we engage with these photographs, do we risk replicating the original violence? In this tightly organized book, scholars of history, photography, language, gender, photojournalism, and pedagogy examine the images of the Skede atrocity along with other difficult images, giving historical, political, and ethical depth to the acts of looking and interpreting. With a foreword by Edward Anders, who narrowly escaped the December 1941 shooting, Framing the Holocaust represents an original approach to an iconic series of Holocaust photographs. This book will contribute to compelling debates in the emerging field of visual history, including the challenges and responsibilities of using photographs to teach about atrocity. In this tightly organised book, scholars from Holocaust studies, modern European history, Jewish studies, visual studies, and the history of photography examine the images of the Liepaja atrocity, giving historical, contextual, political, and moral depth to the act of looking and interpreting. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9780299344108
Book Description Hardcover. Condition: new. Seller Inventory # 9780299344108
Book Description hardback. Condition: New. Language: ENG. Seller Inventory # 9780299344108
Book Description Hardcover. Condition: new. New. Fast Shipping and good customer service. Seller Inventory # Holz_New_029934410X
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Book Description Hardcover. Condition: new. Brand New Copy. Seller Inventory # BBB_new029934410X
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Book Description Hardcover. Condition: new. Buy for Great customer experience. Seller Inventory # GoldenDragon029934410X
Book Description Hardcover. Condition: new. Hardcover. In December 1941, German police and their local collaborators shot 2,749 Jews at the beach in Skede, near Liepaja, Latvia. Twelve photographs were taken at the scene. These now-infamous images show people in extreme distress, sometimes without clothing. Some capture the very moments when women and children confronted their imminent deaths, while others show their dead bodies. They are nearly unbearable to look at--so why should we? Framing the Holocaust offers a multidimensional response to this question. While photographs are central to our memory of modern historical events, they often inhabit an ambivalent intellectual space. What separates the sincere desire to understand from voyeuristic curiosity? Comprehending atrocity photographs requires viewers to place themselves in the very positions of the perpetrators who took the images. When we engage with these photographs, do we risk replicating the original violence? In this tightly organized book, scholars of history, photography, language, gender, photojournalism, and pedagogy examine the images of the Skede atrocity along with other difficult images, giving historical, political, and ethical depth to the acts of looking and interpreting. With a foreword by Edward Anders, who narrowly escaped the December 1941 shooting, Framing the Holocaust represents an original approach to an iconic series of Holocaust photographs. This book will contribute to compelling debates in the emerging field of visual history, including the challenges and responsibilities of using photographs to teach about atrocity. In this tightly organised book, scholars from Holocaust studies, modern European history, Jewish studies, visual studies, and the history of photography examine the images of the Liepaja atrocity, giving historical, contextual, political, and moral depth to the act of looking and interpreting. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. Seller Inventory # 9780299344108