Review:
"In a nuanced, thoughtful manner, Skura provides new insight into a period of literature that is seldom considered by those interested in early modern autobiography. Indeed, readers may not consider some of the texts Skura singles out as "autobiography" at all (they are more often treated as "literary"), but Skura''s penetrating eye and persuasive voice cast these works in a new light. In addition, she grounds her discussion in an astonishing amount of scholarship. For these reasons, and because it is so clearly and elegantly written, this book will be invaluable to a broad audience."-Choice
"What Skura has accomplished is significant and notable. In the process of expanding the definition of what might be considered autobiography, she has explored nine unique autobiographical selves in ways that open out their texts. . . . This book is important not only for those working in autobiography but for those interested in early modern culture generally."--Mary Ellen Lamb "Clio "
"Skura aims to demonstrate not only the existence of autonomous and integral selves but their capacity, their enthusiasm even, to speak about and with themselves....What is both original and courageous about "Tudor Autobiography," though, is its insistence that not only did such a self exist, but that it was determined to announce its own existence and even debate the difficulties of making such an announcement."--Peter Smith"Times Higher Education" (01/22/2009)
About the Author:
Meredith Anne Skura is the Libbie Shearn Moody Professor of English at Rice University and the author of The Literary Use of the Psychoanalytic Process and Shakespeare the Actor and the Purposes of Playing, the latter also published by the University of Chicago Press.
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