In My Fathers House: Africa in the Philosophy of Culture - Hardcover

9780195068511: In My Fathers House: Africa in the Philosophy of Culture
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Africa's intellectuals have long been engaged in a conversation with each other, and with Europeans and Americans about what it means to be African. At the heart of these debates on African identity are the seminal works of politicians, creative writers and philosophers from Africa and its diaspora. In this book, Appiah draws on his experiences as a Ghanaian in the New World to explore the writings of these African and African-American thinkers and to contribute his own vision of the possibilities and pitfalls of an African identity in the late twentieth century. Appiah sets out to dismantle the specious oppositions between "us" and "them," the West and the Rest, that have governed so much of the cultural debate about Africa in the modern world. All of us, he maintains, wherever we live on the planet, must explore together the relations between our local cultures and an increasingly global civilization. Combining philosophical analysis with more personal reflections, Appiah addresses the major issues in the philosophy of culture through an exploration of the contemporary African predicament.

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Review:
A wonderfully crafted collection of essays. (In My Father's House)

Appiah's book on the place of Africa in contemporary philosophy powerfully exposes the dangers of any simplistic notion of African identity in the contemporary world....Tellingly, his reflections upon the calling of philosophy and the relation between post-traditional and not-yet-modern African culture(s) offer a welcome perspective on the increasingly shrill debates over "multiculturalism" that rend the academy. The epilogue on his father's funeral alone more than justifies the whole book. (Elizabeth Fox-Genovese, Common Knowledge)

Interesting and thought-provoking. (Safro Kwame, Lincoln University)

Montaigne invented the modern essay;...Appiah has the brilliance to extend it. (The Village Voice)

A groundbreaking (as well as ground-clearing)

Appiah's essays are exquisitely and painstakingly argued. (Washington Post Book World)

An exceptional work, whose contextual sweep and lucidity provide a refreshing intellectual tone away from yahoo populism. In many profound ways, Kwame Appiah's In My Father's House ushers in a new level of discourse on race and culture, placing it within a universal narrative (and where else should it belong?...Without question, a first of its kind.)

In My Father's House is a remarkable book that brings previously invisible cultural assumptions to the surface and obliges us to rethink our conceptions about African identity. Drawing upon a variety of elegantly analyzed historical examples and relating them to his own personal experiences of the African world, Anthony Appiah convincingly demonstrates the need to go beyond stereotyped notions of race and futile laments about past injustices. His observations about authenticity movements, the persistence of Western constructions of African realities, and the emergence of new syntheses of knowledge among African peoples represent a major breakthrough in the ongoing debate over the future of African culture. (Richard Bjornson, Ohio State University)

This is an absorbing and path-breaking book by a gifted philosopher. Appiah rescues the philosophy of culture from Herder by insisting that we drop notions like 'authentic negritude' and that 'African culture' is the name of an important project rather than of an available datum. The book's range of reference and the vigor of its argumentation are equally impressive. (Richard Rorty, University of Virginia)

Appiah's concern is, he modestly states, 'with the situation of African intellectuals.' In the growing literature on the subject, nobody has defined that situation, as it exists now, more sharply; nobody has built so many bridges to a discourse that might be shared universally. Learned yet unpretentious, serious and witty, critical and kind (this book is bound to infuse debates among African intellectuals with new vigor and to engage philosophers, literary critics, anthropologists and others everywhere. One also wishes it would be read by politicians for its lucid analyses of racism as well as its demonstration of intellectual independence tempered by colonial and post-colonial experience.)
About the Author:
Kwame Anthony Appiah is Professor of Afro-American Studies at Harvard University. His books include Assertion and Conditionals (1985), For Truth in Semantics (1986), Necessary Questions (1989), and the novel Avenging Angel (1991). He is currently editing the Oxford Book of African Literature.

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  • PublisherOxford Univ Pr
  • Publication date1992
  • ISBN 10 0195068513
  • ISBN 13 9780195068511
  • BindingHardcover
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