Crime and Punishment: Fyodor Dostoevsky - Softcover

Dostoevsky, Fyodor

Softcover

ISBN 10: 0141192801 ISBN 13: 9780141192802

Publisher: Penguin Classics, 2014

Synopsis

'A truly great translation . . . This English version really is better' - A. N. Wilson, The Spectator

TIMES LITERARY SUPPLEMENT BOOKS OF THE YEAR 2014

This acclaimed new translation of Dostoyevsky's 'psychological record of a crime' gives his dark masterpiece of murder and pursuit a renewed vitality, expressing its jagged, staccato urgency and fevered atmosphere as never before. Raskolnikov, a destitute and desperate former student, wanders alone through the slums of St. Petersburg, deliriously imagining himself above society's laws. But when he commits a random murder, only suffering ensues. Embarking on a dangerous game of cat and mouse with a suspicious police investigator, Raskolnikov finds the noose of his own guilt tightening around his neck. Only Sonya, a downtrodden prostitute, can offer the chance of redemption.

Fyodor Dostoevsky (1821-1881) was born in Moscow and made his name in 1846 with the novella Poor Folk. He spent several years in prison in Siberia as a result of his political activities, an experience which formed the basis of The House of the Dead. In later life, he fell in love with a much younger woman and developed a ruinous passion for roulette. His subsequent great novels include Notes from Underground, Crime and Punishment, The Idiot, Demons and The Brothers Karamazov.

Oliver Ready is Research Fellow in Russian Society and Culture at St Antony's College, Oxford. He is general editor of the anthology, The Ties of Blood: Russian Literature from the 21st Century (2008), and Consultant Editor for Russia, Central and Eastern Europe at the Times Literary Supplement.

About this title

Review:

A truly great translation ... Sometimes new translations of old favourites are surplus to our requirements. Sometimes, though, a new translation really makes us see a favourite masterpiece afresh. And this English version of Crime and Punishment really is better ... Crime and Punishment, as well as being an horrific story and a compelling drama, is also extremely funny. Ready brings out this quality well ... That knife-edge between sentimentality and farce has been so skilfully and delicately captured here ... Ready's version is colloquial, compellingly modern and - in so far as my amateurish knowledge of the language goes - much closer to the Russian. ... The central scene in the book is a masterpiece of translation (A. N. Wilson Spectator)

I was delighted to discover Oliver Ready's new translation of Crime and Punishment ... It is brimful of a young man's rage and energy and bullshit. I adored it (Peter Carey)

This vivid, stylish and rich rendition by Oliver Ready compels the attention of the reader in a way that none of the others I've read comes close to matching. Using a clear and forceful mid-20th-century idiom, Ready gives us an entirely new kind of access to Dostoyevsky's singular, self-reflexive and at times unnervingly comic text. This is the Russian writer's story of moral revolt, guilt and possible regeneration turned into a new work of art ... [It] will give a jolt to the nervous system to anyone interested in the enigmatic Russian author (John Gray New Statesman, 'Books of the Year')

Oliver Ready's translation of Crime and Punishment . . . is a five-star hit, which will make you see the original with new eyes (A. N. Wilson Times Literary Supplement, 'Books of the Year')

At last we have a translation that brings out the wild humour and vitality of the original (Robert Chandler)

I was bowled over, by the novel itself and the utterly brilliant translation, which grabs you by the lapels and doesn't let go. In the course of my work, I go through mountains of nonfiction to try to understand the world. This summer, I was reminded of the power of a novel to uncover something much deeper about the human spirit

(Fareed Zakaria The New York Times Book Review)

A tour de force built from prose that is not only impeccable in its own right but also perfectly suited to the story, its characters, its epoch and themes. We should treasure this new translation and, indeed, this new book (New York Journal of Books)

A dazzlingly agile and robust new translation . . . Ready, who has a practiced ear for Russian dialect and a natural grace with English, is exceptionally deft at navigating [the novel's] challenges ... His ability to reproduce the whole heady brew of Dostoyevsky's novel in a consistent but nimble modern English ought to be applauded (Los Angeles Review of Books)

What a great book this is and nothing like the dated, heavy Russian literature I thought I might have to wade through. It's a page turner - a dark, comic thriller with an anti-hero akin to Macbeth and characters so perfectly rendered as to leap from the page. The style is really modern and constantly delves into the mad thoughts of the protagonist - if you can call him that - Raskolnikov. Try it, especially Oliver Ready's high-tempo version (Gary Kemp)

Oliver Ready's version is outstanding in finding le mot juste for all of Dostoevsky's graphic verbs and odd objects (few Russian writers have a lexical range to equal Dostoevsky's) (The Times Literary Supplement)

About the Author:

Fyodor Mikhailovich Dostoevsky was born in Moscow in 1821. His debut, the epistolary novella Poor Folk (1846), made his name. In 1849 he was arrested for involvement with the politically subversive 'Petrashevsky circle' and until 1854 he lived in a convict prison in Omsk, Siberia. From this experience came The House of the Dead (1860-2). In 1860 he began the journal Vremya (Time). Already married, he fell in love with one of his contributors, Appollinaria Suslova, eighteen years his junior, and developed a ruinous passion for roulette. After the death of his first wife, Maria, in 1864, Dostoyevsky completed Notes from Underground and began work towards Crime and Punishment (1866). The major novels of his late period are The Idiot (1868), Demons (1871-2) and The Brothers Karamazov (1879-80). He died in 1881. Oliver Ready is Research Fellow in Russian Society and Culture at St Antony's College, Oxford. He is general editor of the anthology, The Ties of Blood: Russian Literature from the 21st Century (2008), and Consultant Editor for Russia, Central and Eastern Europe at the Times Literary Supplement.

About this edition

• Publisher: Penguin Classics
• Publication date: 2014
• ISBN 10: 0141192801
• ISBN 13: 9780141192802
• Binding: Paperback
• Edition number: 1
• Number of pages: 752