Rome, 63 BC. In a city on the brink of acquiring a vast empire, seven men are struggling for power. Cicero is consul, Caesar his ruthless young rival, Pompey the republic's greatest general, Crassus its richest man, Cato a political fanatic, Catilina a psychopath, Clodius an ambitious playboy.
The stories of these real historical figures - their alliances and betrayals, their cruelties and seductions, their brilliance and their crimes - are all interleaved to form this epic novel. Its narrator is Tiro, a slave who serves as confidential secretary to the wily, humane, complex Cicero. He knows all his master's secrets - a dangerous position to be in.
From the discovery of a child's mutilated body, through judicial execution and a scandalous trial, to the brutal unleashing of the Roman mob, Lustrum is a study in the timeless enticements and horrors of power.
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And here's Lustrum, another historical novel that cannily utilises elements of the thriller but attempts something far more challenging than most proponents of that genre. Harris’s continuing theme is the battle for power, and this Rome-set narrative deals with the years around 63BC when Cicero was Consul of Rome, building to the unstoppable accession to power of the canny and ruthless Caesar. Rome, in the process of consolidating its massive empire, resounds to the sounds of a no-holds-barred struggle for influence. The protagonists here are the canny consul Cicero, the equally Machiavellian Caesar, the Republic's eminent general Pompey and the hyper-rich Crassus. These real historical figures (and others, including the psychopathic Catilina) are stirred into a very heady brew by Robert Harris, beginning when the body of a child, grotesquely mutilated, is discovered. The trial and execution that follows plunges the city of Rome into a ferment as destabilising as anything it has faced.
This is Robert Harris at his considerable best, evoking the ancient past with a vividness that few of his contemporaries can muster. But apart from the richly detailed historical pageant on offer in Lustrum, the real coup of the book lies in the creation of the character of Cicero: wonderfully realised, with all the contradictions and charm of his nature acting as the perfect fulcrum for this sprawling but utterly persuasive narrative. --Barry Forshaw
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