Andrew Graham-Dixon is now generally agreed to be the best writer about art in Britain under the age of forty. This collection brings together the very best of his writing on a widely diverse range of subjects – English and French painting of all periods, Grand Masters, Modernists and post-moderns.
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"Graham-Dixon skewers received opinion without any strutting or self-importance. The fluency and control of the prose are matched by the unshowy rigour of his judgement. They are, above all, considered... Throughout this collection, there is always something that cheers or invigorates – something that makes the reader feel more intelligent and more alive."
ANTHONY QUINN, 'OBSERVER'
"Richly original and thought-provoking... Anyone whose writing about art springs so unmistakably, not just from knowledge, but from sheer pleasure, is on the right side. Graham-Dixon is a writer who can justly refer to some of his essays – on Bonnard, Turner, Matisse and, most beautifully, on Morandi – as 'love letters'".
PHILIP HENSHER, 'Mail on Sunday'
Undoubtedly the most intellectually gifted art critic in this country... Graham-Dixon's range is unusually wide, his prose style so supple and his analysis of artists and their work so absorbing that the reader begins by being enthralled and ends by being enriched. Adroitly expressed statements cascade from the page and it is important to realise that they are not just the result of fine writing but of careful looking. As Graham-Dixon writes, 'To visit the 'Paper Museum' is, above all, to see the world being seen differently.' It is an apt description of his own book."
CHRISTOPHER LLOYD, 'Daily Express'
For his BBC series and book ' A History of British Art', Andrew Graham-Dixon has been acclaimed as being one of the best British writers about art. 'Paper Museum' is a collection of the best of his writing to date, over sixty essays on a hugely varied range of subjects, from the Wilton Diptych and Velazquez to Picabia and Lucien Freud. About all of them, Graham-Dixon writes in prose which is not only moving in itself, but which, like all the best art criticism, conveys and enhances the experience of looking at the works of art themselves.
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Book Description Condition: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned. . Ex library copy with usual stamps & stickers. Seller Inventory # wbb0023186543
Book Description Paperback. Condition: Very Good. This work is made up of 80 essays on a widely diverse range of subjects - English and French painting of all periods, Grand Masters, Modernists and post-moderns. To all of them, Graham Dixon brings insight unmatched by any other British commentator on pictures or sculpture, inprose which is not only oftern very moving in itself, but can actually convey and enhance the experience of looking at the works of art themselves. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Seller Inventory # GOR002583144
Book Description Condition: Good. Ships from the UK. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages. Seller Inventory # 45577289-20
Book Description Hardcover. Condition: Used; Good. **SHIPPED FROM UK** We believe you will be completely satisfied with our quick and reliable service. All orders are dispatched as swiftly as possible! Buy with confidence! Greener Books. Seller Inventory # 1566680
Book Description hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!. Seller Inventory # S_389718490
Book Description hardcover. Condition: Very Good. ALL ITEMS ARE DISPATCHED FROM THE UK WITHIN 48 HOURS ( BOOKS ORDERED OVER THE WEEKEND DISPATCHED ON MONDAY) ALL OVERSEAS ORDERS SENT BY TRACKABLE AIR MAIL. IF YOU ARE LOCATED OUTSIDE THE UK PLEASE ASK US FOR A POSTAGE QUOTE FOR MULTI VOLUME SETS BEFORE ORDERING. Seller Inventory # mon0000896467
Book Description Softcover. Condition: Good. Small stain to coloured front endpaper, otherwise internally fine with no inscriptions or markings. Dust jacket is unclipped and complete, but is a little shelf-worn at the edges (no tears) and has an unobtrusive stain to the (mostly black) front wrap. The boards remain clean and sharp, with bright gilt titling to the spine. xii + 384pp. A serviceable copy of Andrew Graham-Dixon's early criticism, with a clean and unmarked text throughout, but not a copy for the collector. Seller Inventory # 2067
Book Description Hard. Condition: Near Fine. 1st. First edition. Hard cover in dust jacket. Published London: HarperCollins, 1996, first printing. 8vo., xii+384pp., illustrated with b/w plates. Near fine in near fine dust jacket. Size: 8vo. Seller Inventory # 009611
Book Description Hardcover. Black boards; gilt lettering. Black/color-illus. dj. xii, 384 pp. occasional bw plates. This work is made up of 80 essays on a widely diverse range of subjects - English and French painting of all periods, Grand Masters, Modernists and post-moderns. To all of them, Graham Dixon brings insight unmatched by any other British commentator on pictures or sculpture, inprose which is not only oftern very moving in itself, but can actually convey and enhance the experience of looking at the works of art themselves. VG-/VG- clean and tight but with general shelf wear; some age toning to page margins. Seller Inventory # 161160
Book Description Condition: Fine. Dust jacket has light scratches and outer edges have minor scuffs. Book content is in like new condition. Seller Inventory # 064997-4