Manen, Bertien Van, Signed

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About this Item: MACK, 2013. Hardcover. Condition: As New. 1st Edition. SIGNED, design by SYB, 294 gr, 20,5 x 17 cm. Signed by Author(s). Seller Inventory # 000641

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About this Item: Mack Books, [London?], 4240. Hardcover. Condition: New. Bertien van Manen\n\nBeyond Maps and Atlases\n\nSigned by the Photographer\n\nIn this new body of work, Beyond Maps and Atlases, Bertien van Manen turns to Ireland. Van Manen says, At first, working in Ireland I wasn t sure what I was looking for. My husband had died. I dispensed with the people and reflected on the atmosphere. I was guided by a feeling and a search, a longing for some kind of meaning in a place of myths and legends. There was mystery and endlessness at the edge of a land beyond which is nothing but a vast expanse. \n\nWhere can it be found again,\nAn elswhere world, beyond\nMaps and atlases,\nWhere all is woven into\nAnd of itself, like a nest\nOf crosshatched grass blades?\nSeamus Heaney\n\nVan Manen rolled into photography almost by accident, taking pictures of her children with an old camera. As her work became more public she was soon drafted into the world of fashion photography. In 1977 she tired of the industry, and on discovering the documentary photography of Robert Frank and Josef Koudelka, van Manen began to explore the developing relationship between herself and her subjects, keeping a closeness and developing a personal, organic style of photography. Recent works include Easter and Oak Trees (MACK, 2013) and Moonshine (MACK, 2014)\n\nHardcover, 60 pages\n32 colour plates\n26 cm x 29 cm\nEmbossed hardcover with tipped-in image\nISBN 9781910164433. Seller Inventory # 3343

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About this Item: Mack Books, [London, England], 4173. Hardcover. Condition: New. Bertien van Manen\n\nMoonshine\n\nSigned by the photographer\n\nSpanning almost three decades, Moonshine is a portrait of the American Appalachian folk, a mythologised region populated by moonshiners . Van Manen s images are defined by a fierce intimacy with her subject, as the viewer teeters on the edge of the frame, perpetually trespassing on private moments: rollicking children practicing handstands on the couch; a kneeling daughter combing the hair of her grandmother.\n\nVan Manen first visited the region in 1985, to the Appalachian areas of Kentucky, Tennessee and West Virginia, returning periodically up until 2013 to visit mining families with whom she lived: the Boggs family with their ten red-haired sons; miners Mavis and Junior. The intergenerational images subtly trace the insidious changes undergone by Appalachia the slow and steady demise of the mining industry, and the migration of inhabitants from ramshackle wooden cabins to the city, or urban trailer parks. Van Manen intermixes black-and-white images with later colour work another register of time passing and the inevitability of change.\n\nBertien van Manen rolled into photography almost by accident, taking pictures of her children with an old camera. As her work became more public she was soon drafted into the world of fashion photography. In 1977 she tired of the industry, and on discovering the documentary photography of Robert Frank and Josef Koudelka, van Manen began to explore the developing relationship between herself and her subjects, keeping a closeness and developing a personal, organic style of photography.\n\nHardcover with silkscreen, 112 pages\n78 colour plates\n23.5 cm x 22.5 cm\nISBN 9781907946622. Seller Inventory # 3346

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About this Item: Mack, 2014. Hardcover. Condition: New. No Jacket. 1st Edition. First edition first impression in new condition, flat signed by Van Manen to title page, no markings, this is a brand new book, please see pics, paypal accepted, any questions please get in touch. Signed by Author(s). Seller Inventory # ABE-13201093088

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About this Item: Mack, 2016. Hardcover. Condition: New. 1st Edition. First edition first impression in new condition, flat signed by Van Manen to title page, no markings, pages clean, binding firm, please see pics, no jacket as issued, paypal accepted, any questions please get in touch. Signed by Author(s). Seller Inventory # ABE-6968772451139270042

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About this Item: MACK, 2014. Hardcover. Condition: As New. 1st Edition. SIGNED, design by Bas Geerts and Grégoire Pujade-Lauraine, 690 gr, 23 x 24 cm. Signed by Author(s). Seller Inventory # 000604

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About this Item: Feministische Uitgeverij Sara, 1982, 1982. Feministische Uitgeverij Sara, 1982. Stiff pictorial wrappers (softcover), 20 x 22,5 cms., approx. 180 pp. throughout illustrated in duotone. Ex bibliotheca 'Hanny Blokker' (artist; Niedorp, 1945), signed and dated '9-6-1986' in penc on title-page. Seller Inventory # 26296

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About this Item: Condition: Sehr gut. Mack Books, London. 2014. First edition, first printing. Signed by Bertien van Manen! Hardcover. 235 x 225 mm. 112 pages. 78 color plates. Text in english. Condition: Binding lightly weak. At one corner lightly bumped with no consequences for the pages inside. Otherwise new, mint, unread; only opened once for signature. Text in english. Overall very fine copy! Signed by the artist! Collector`s copy! "Spanning almost three decades, Moonshine is a portrait of the American Appalachian folk, a mythologised region populated by `moonshiners`. Van Manen`s images are defined by a fierce intimacy with her subject, as the viewer teeters on the edge of the frame, perpetually trespassing on private moments: rollicking children practicing handstands on the couch; a kneeling daughter combing the hair of her grandmother. Van Manen first visited the region in 1985, to the Appalachian areas of Kentucky, Tennessee and West Virginia, returning periodically up until 2013 to visit mining families with whom she lived: the Boggs family with their ten red-haired sons; miners Mavis and Junior. The intergenerational images subtly trace the insidious changes undergone by Appalachia - the slow and steady demise of the mining industry, and the migration of inhabitants from ramshackle wooden cabins to the city, or urban trailer parks. Van Manen intermixes black-and-white images with later colour work - another register of time passing and the inevitability of change. Bertien van Manen rolled into photography almost by accident, taking pictures of her children with an old camera. As her work became more public she was soon drafted into the world of fashion photography. In 1977 she tired of the industry, and on discovering the documentary photography of Robert Frank and Josef Koudelka, van Manen began to explore the developing relationship between herself and her subjects, keeping a closeness and developing a personal, organic style of photography." (from the publisher)***************Mack Books, London. 2014. Erstausgabe. Originalausgabe. Signiert von Berien van Manen! Hardcover (wie erschienen). 235 x 225 mm. 12 Seiten. 78 Farbfotos. Text in englisch. Zustand: Bindung leicht schief durch Lagerung. Winzige Bestossung an der rechten unteren Ecke der Vorderseite. Ansonsten neu, ungelesen, verlagsfrisch; nur einmal geöffnet für die Signatur. Insgesamt sehr gutes Exemplar! Signiert von der Künstlerin! Sprache: Englisch Gewicht in Gramm: 1600. Seller Inventory # 20718

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About this Item: Mack, 2013. Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 2nd Edition. First edition first impression in fine condition, signed by Bertien Van Manen to front endpage, no markings, pages clean, binding firm, jacket in removable protective sleeve, please see pics, PayPal accepted, any questions please get in touch. Signed by Author(s). Seller Inventory # ABE-1484493958122

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About this Item: De Verbeelding, Amsterdam, 2001. Soft cover. Condition: As New. Dust Jacket Condition: As New. 1st Edition. SIGNED, design by Mevis & van Deursen, 26 x 20 cm, 788 gr. Signed by Author(s). Seller Inventory # 000603

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About this Item: Mack, 2014. Hardcover. Condition: As New. No Jacket. 1st Edition. Signed by the photographer; kept in mylar covering Spanning almost three decades, Moonshine is a portrait of the American Appalachian folk, a mythologised region populated by 'moonshiners'. Van Manen's images are defined by a fierce intimacy with her subject, as the viewer teeters on the edge of the frame, perpetually trespassing on private moments: rollicking children practicing handstands on the couch; a kneeling daughter combing the hair of her grandmother. Van Manen first visited the region in 1985, to the Appalachian areas of Kentucky, Tennessee and West Virginia, returning periodically up until 2013 to visit mining families with whom she lived: the Boggs family with their ten red-haired sons; miners Mavis and Junior. The intergenerational images subtly trace the insidious changes undergone by Appalachia - the slow and steady demise of the mining industry, and the migration of inhabitants from ramshackle wooden cabins to the city, or urban trailer parks. Van Manen intermixes black-and-white images with later colour work - another register of time passing and the inevitability of change. Signed by Author(s). Seller Inventory # ABE-1536707014223

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About this Item: Condition: Sehr gut. Mack Books, London. 2016. First edition, first printing. Signed by Bertien van Manen! New, mint, unread; only opened once for signature. Embossed hardcover with tipped-in image. 260 x 290 mm. 60 pages. 32 colour plates. Text in english. Perfect condition! Signed by the artist! Collector`s copy! "In this new body of work, Beyond Maps and Atlases, Bertien van Manen turns to Ireland. Van Manen says, `At first, working in Ireland I wasn`t sure what I was looking for. My husband had died. I dispensed with the people and reflected on the atmosphere. I was guided by a feeling and a search, a longing for some kind of meaning in a place of myths and legends. There was mystery and endlessness at the edge of a land beyond which is nothing but a vast expanse.` `Where can it be found again, an elswhere world, beyond. Maps and atlases, where all is woven into and of itself, like a nest. Of crosshatched grass blades?` (Seamus Heaney). Van Manen rolled into photography almost by accident, taking pictures of her children with an old camera. As her work became more public she was soon drafted into the world of fashion photography. In 1977 she tired of the industry, and on discovering the documentary photography of Robert Frank and Josef Koudelka, van Manen began to explore the developing relationship between herself and her subjects, keeping a closeness and developing a personal, organic style of photography. Recent works include Easter and Oak Trees (Mack, 2013) and Moonshine (Mack, 2014)." (from the publisher)***************Mack Books, London. 2014. Erstausgabe. Originalausgabe. Signiert von Berien van Manen! Neu, ungelesen, verlagsfrisch; nur einmal geöffnet für die Signatur. Hardcover (as issued). Embossed hardcover with tipped-in image. 260 x 290 mm. 60 Seiten. 32 Farbfotos. Text in englisch. Perfekter Zustand! Signiert von der Künstlerin! Sammler-Exemplar! Sprache: Englisch Gewicht in Gramm: 1600. Seller Inventory # 24474

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About this Item: Condition: Wie neu. Steidl, Göttingen, 2005. First edition, first printing. Signed by Bertien van Manen. Mint, new, unread; only opened for signature! Hardcover without dustjacket (as issued). With an essay by Juri Andruchowytsch. 144 pages, 72 colour plates. 170 x 220 mm. From 2002 through 2005, Bertien van Manen visited families all over Europe to take pictures of their private photographs. In doing so she collected traces of people s lives, of happiness and sadness, of war and suppression, and she encompassed a century of history, across differences in culture and the meeting of human minds and hearts. Van Manen took photographs of photos from family albums, of photos hanging on walls, and of photos simply present in people s lives. With the advances of digital or mobile-phone camera technology, this means of keeping private photos and retaining memories and histories is slowly disappearing. From 1990 Bertien van Manen travelled through the former Soviet Union to take photographs of people and families. The resulting book A Hundred Summers, a Hundred Winters was published in 1994. In 1997 she started a similar project in China. East Wind West Wind was then published in 2001. Van Manen received several prizes and awards, including a nomination for the City Bank Photography Prize in 2003. Her photographs are in the collections of Maison Européenne de la Photographie, Paris, Centre National des Arts Plastiques, Paris, Fotomuseum Winterthur, Stedelijk Museum, Amsterdam, Museum of Modern Art, New York, Metropolitan Museum of Art, New York, San Francisco Museum of Modern Art, and Collection la Salle, Chicago.***************Steidl, Göttingen, 2005. Erstausgabe. Originalausgabe. Signiert von Bertien van Manen! Neu, ungelesen, verlagsfrisch; nur geöffnet für die Signatur! Hardcover ohne Schutzumschlag (nur so erschienen). Mit einem Essay von Juri Andruchowytsch. 144 Seiten, 72 Farbfotos. 170 x 220 mm. Sprache: Englisch Gewicht in Gramm: 1600. Seller Inventory # 19142

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About this Item: Amsterdam: De Verbeelding Publishing, 2001, 2001. Quarto. Original printed wrappers, spine and front cover lettered in black and white. A fine copy. Photographs by Manen throughout. First edition, first impression, signed by the photographer on the front free endpaper. In this work Bertien van Manen (b.1942) uses a snapshot aesthetic to create an intimate view into Chinese life. Her photographs are accompanied by text by the Dutch writer Ian Buruma, in both English and Chinese. Seller Inventory # 125445

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About this Item: Condition: Sehr gut. De Verbeelding, Amsterdam. 2001. First edition, first printing. Martin Parr, WassinkLundgren, The Chinese Photobook from the 1900s to the Present, page 398. Softcover. 203 x 254 mm (8 x 10 inch). 230 pages. Color photos. Text: Ian Buruma. Condition: Inside excellent. Papercover with light trace of use and lightly stained at the spine. Plastik jacket lightly used, but without defects. Overall great condition! Scarce! Collector`s copy!***************De Verbeelding, Amsterdam. 2001. Deutsche Erstausgabe. Martin Parr, WassinkLundgren, The Chinese Photobook from the 1900s to the Present, Seite 398. Softcover. 203 x 254 mm. 230 Seiten. Farbfotos. Text: Ian Buruma. Zustand: Innen tadellos. Papier-Schutzumschlag mit leichten gebrauchsspuren und etwas fleckig am Buchrücken. Klarsichtumschlag leicht berieben, aber ohne Fehler. Insgesamt sehr schöner Zustand! Selten! Sammler-Exemplar! Sprache: Englisch Gewicht in Gramm: 1600. Seller Inventory # 20933

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About this Item: Condition: Wie neu. De Verbeelding, Amsterdam. 2001. First edition, first printing. Signed by Bertien van Manen! Martin Parr, WassinkLundgren, The Chinese Photobook from the 1900s to the Present, page 398. Softcover. 203 x 254 mm (8 x 10 inch). 230 pages. Color photos. Text: Ian Buruma. Condition: Inside excellent. Papercover flawless. Plastic jacket with slightest trace of use. Overall fantastic, near mint condition! Scarce! Signed by the artist! Collector`s copy!***************De Verbeelding, Amsterdam. 2001. Erstausgabe. Originalausgabe. Signiert von Bertien van Manen! Martin Parr, WassinkLundgren, The Chinese Photobook from the 1900s to the Present, Seite 398. Softcover. 203 x 254 mm. 230 Seiten. Farbfotos. Text: Ian Buruma. Zustand: Innen tadellos. Papier-Schutzumschlag tadellos. Plastikumschlag mit leichtesten Gebrauchsspuren. Insgesamt fantastischer, nahezu neuwertiger Zustand! Selten! Signiert von der Künstlerin! Sammler-Exemplar! Sprache: Englisch Gewicht in Gramm: 1600. Seller Inventory # 20910

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About this Item: Art Data, 1994. Soft cover. Condition: Fine. 1st Edition. First edition first impression large format paperback with French flaps in fine condition, signed, dedicated and dated by van Manen to title page, the book looks as new and unread, please see pics, PayPal accepted, any questions please get in touch. Signed by Author(s). Seller Inventory # ABE-1474658195049

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About this Item: Condition: Wie neu. De Verbeelding, Amsterdam. 1995. First edition, second printing. Beautifully signed and dedicated by Bertien van Manen! Paperback. 260 x 239 mm (10 1/4 x 9 1/2 inch). 96 pages. 73 colour photographs and 2 photocolllages. Introduction by Ryszard Kapuscinski. Text: Bertien van Manen. Design: Menno Landstra. Condition: Inside like new. Outside with slightest trace of use. Overall fantastic, very fresh condition! Signed and dedicated by the artist! Collector`s copy! Very scarce! Bertien van Manen is famous for great photobooks like "East wind. West Wind." (Martin Parr, WassinkLundgren, The Chinese Photobook from the 1900s to the Present, page 398).***************De Verbeelding, Amsterdam. 1995. Zweiter Druck der Originalausgabe. Mit wunderschöner Signatur und Widmung von Bertien van Manen! Paperback. 260 x 239 mm. 96 Seiten. 73 Farbfotos und 2 Foto-Kollagen. Einführung: Ryszard Kapuscinski. Text: Bertien van Manen. Gestaltung: Menno Landstra. Zustand: Innen wie neu. Aussen mit leichtesten Gebrauchsspuren. Ingesamt fantastischer, extrem frischer Zustand! Signiert und gewidmet von der Künstlerin! Sammler-Exemplar! Extrem selten! Bertien van Manen ist berühmt für zahlreiche grossartige Fotobücher wie "East wind. West Wind." (Martin Parr, WassinkLundgren, The Chinese Photobook from the 1900s to the Present, Seite 398). Sprache: Englisch Gewicht in Gramm: 1600. Seller Inventory # 21461

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About this Item: Amsterdam: De Verbeelding, 1994, 1994. Large octavo. Original photographic wrappers, titles to spine yellow and white, titles to front wrapper yellow. Light rubbing to extremities. A very good copy. With 73 colour photographs. First edition, first impression. Signed by the photographer on the half-title. Parr & Badger II, p. 76; The Dutch Photobook, p. 131. Seller Inventory # 128735

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About this Item: Amsterdam: De Verbeelding., 1994. Soft cover. Condition: Fine. 1st Edition. First edition, signed by the author on the half-title. Oblong 4to. 20 text pages, 73 colour plates and 2 collages. In the publisher's pictorial stiff-wraps, as issued. In fine condition. Signed by Author(s). Seller Inventory # PS.259

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About this Item: Hardcover. Condition: Fine. 1st Edition. - Vrouwen te gast, first edition published by Feministische Uitgeverij Sara 1979 SIGNED 20 x 22,5 cm, - Hundered Summers, Hundered Winters, second printing published by De Verbeelding Booksellers 1995, SIGNED 24 x 26 cm, - East Wind West Wind, first edition published by De Verbeelding Publishing 2001 SIGNED 25,7 x 20 cm, - Give me you Image, first edition published by Steid 2006, SIGNED 22,5 x 17,5 cm, - Let's sit down before we go, first edition published by Mack 2011, SIGNED 20,5 x 24 cm, - Easter and Oak Trees, first edition published by Mack 2013, SIGNED 20,2 x 17 cm, Moonshine, first edition published by Mack 2014, SIGNED 23 x 24 cm, Beyond Maps and Atlases, first edition published by Mack 2016 SIGNED 29,5 X 26,5 CM, - I Will be Wolf, first edition published by Mack 2017, SIGNED 22 x 24 cm. Signed by Author(s). Seller Inventory # 000321

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