Manen, Bertien Van

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About this Item: Mack, 2014. Hardcover. Condition: New. 1st Edition. First edition first impression in new condition, no markings, this is a brand new book, please see pics, PayPal accepted, any questions please get in touch. Seller Inventory # ABE-1490008497007

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About this Item: Mack, 2016. Hardcover. Condition: New. 1st Edition. First edition first impression in new condition. No markings. Pages clean, binding firm. Please see pictures. No jacket as issued. Paypal accepted, any questions please get in touch. Seller Inventory # ABE-1576599196445

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About this Item: MACK, 2013. Hardcover. Condition: As New. 1st Edition. SIGNED, design by SYB, 294 gr, 20,5 x 17 cm. Signed by Author(s). Seller Inventory # 000641

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About this Item: Mack Books, [London?], 4240. Hardcover. Condition: New. Bertien van Manen\n\nBeyond Maps and Atlases\n\nSigned by the Photographer\n\nIn this new body of work, Beyond Maps and Atlases, Bertien van Manen turns to Ireland. Van Manen says, At first, working in Ireland I wasn t sure what I was looking for. My husband had died. I dispensed with the people and reflected on the atmosphere. I was guided by a feeling and a search, a longing for some kind of meaning in a place of myths and legends. There was mystery and endlessness at the edge of a land beyond which is nothing but a vast expanse. \n\nWhere can it be found again,\nAn elswhere world, beyond\nMaps and atlases,\nWhere all is woven into\nAnd of itself, like a nest\nOf crosshatched grass blades?\nSeamus Heaney\n\nVan Manen rolled into photography almost by accident, taking pictures of her children with an old camera. As her work became more public she was soon drafted into the world of fashion photography. In 1977 she tired of the industry, and on discovering the documentary photography of Robert Frank and Josef Koudelka, van Manen began to explore the developing relationship between herself and her subjects, keeping a closeness and developing a personal, organic style of photography. Recent works include Easter and Oak Trees (MACK, 2013) and Moonshine (MACK, 2014)\n\nHardcover, 60 pages\n32 colour plates\n26 cm x 29 cm\nEmbossed hardcover with tipped-in image\nISBN 9781910164433. Seller Inventory # 3343

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About this Item: Mack Books, [London, England], 4173. Hardcover. Condition: New. Bertien van Manen\n\nMoonshine\n\nSigned by the photographer\n\nSpanning almost three decades, Moonshine is a portrait of the American Appalachian folk, a mythologised region populated by moonshiners . Van Manen s images are defined by a fierce intimacy with her subject, as the viewer teeters on the edge of the frame, perpetually trespassing on private moments: rollicking children practicing handstands on the couch; a kneeling daughter combing the hair of her grandmother.\n\nVan Manen first visited the region in 1985, to the Appalachian areas of Kentucky, Tennessee and West Virginia, returning periodically up until 2013 to visit mining families with whom she lived: the Boggs family with their ten red-haired sons; miners Mavis and Junior. The intergenerational images subtly trace the insidious changes undergone by Appalachia the slow and steady demise of the mining industry, and the migration of inhabitants from ramshackle wooden cabins to the city, or urban trailer parks. Van Manen intermixes black-and-white images with later colour work another register of time passing and the inevitability of change.\n\nBertien van Manen rolled into photography almost by accident, taking pictures of her children with an old camera. As her work became more public she was soon drafted into the world of fashion photography. In 1977 she tired of the industry, and on discovering the documentary photography of Robert Frank and Josef Koudelka, van Manen began to explore the developing relationship between herself and her subjects, keeping a closeness and developing a personal, organic style of photography.\n\nHardcover with silkscreen, 112 pages\n78 colour plates\n23.5 cm x 22.5 cm\nISBN 9781907946622. Seller Inventory # 3346

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About this Item: Amsterdam, Feministische Uitgeverij Sara, 1979, 1979. Amsterdam, Feministische Uitgeverij Sara, 1979. Stiff pictorial wrappers (softcover), 20 x 22 cms., 178 pp. text in Dutch (by Bertien van Manen) with photographic plates in black/white. Early publication with text and photographs by Bertien van Manen on women of guest workers. Seller Inventory # 26291

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About this Item: Condition: Wie neu. Mack Books, London. 2014. First edition, first printing. New, mint, unread; still originally shrink-wrapped in publisher`s plastic foil. Hardcover. 235 x 225 mm. 112 pages. 78 color plates. Text in english. Perfect condition! Collector`s copy! "Spanning almost three decades, Moonshine is a portrait of the American Appalachian folk, a mythologised region populated by `moonshiners`. Van Manen`s images are defined by a fierce intimacy with her subject, as the viewer teeters on the edge of the frame, perpetually trespassing on private moments: rollicking children practicing handstands on the couch; a kneeling daughter combing the hair of her grandmother. Van Manen first visited the region in 1985, to the Appalachian areas of Kentucky, Tennessee and West Virginia, returning periodically up until 2013 to visit mining families with whom she lived: the Boggs family with their ten red-haired sons; miners Mavis and Junior. The intergenerational images subtly trace the insidious changes undergone by Appalachia - the slow and steady demise of the mining industry, and the migration of inhabitants from ramshackle wooden cabins to the city, or urban trailer parks. Van Manen intermixes black-and-white images with later colour work - another register of time passing and the inevitability of change. Bertien van Manen rolled into photography almost by accident, taking pictures of her children with an old camera. As her work became more public she was soon drafted into the world of fashion photography. In 1977 she tired of the industry, and on discovering the documentary photography of Robert Frank and Josef Koudelka, van Manen began to explore the developing relationship between herself and her subjects, keeping a closeness and developing a personal, organic style of photography." (from the publisher)***************Mack Books, London. 2014. Erstausgabe. Originalausgabe. Neu, ungelesen, verlagsfrisch; noch original-verschweisst in der Plastikfolie des Verlags. Hardcover (wie erschienen). 235 x 225 mm. 112 Seiten. 78 Farbfotos. Text in englisch. Perfekter Zustand! Sammler-Exemplar! Sprache: Englisch Gewicht in Gramm: 1600. Seller Inventory # 24508

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About this Item: Condition: Sehr gut. Mack Books, London. 2016. First edition, first printing. New, mint, unread; only opened once for signature. Embossed hardcover with tipped-in image. 260 x 290 mm. 60 pages. 32 colour plates. Text in english. Perfect condition! Collector`s copy! "In this new body of work, Beyond Maps and Atlases, Bertien van Manen turns to Ireland. Van Manen says, `At first, working in Ireland I wasn`t sure what I was looking for. My husband had died. I dispensed with the people and reflected on the atmosphere. I was guided by a feeling and a search, a longing for some kind of meaning in a place of myths and legends. There was mystery and endlessness at the edge of a land beyond which is nothing but a vast expanse.` `Where can it be found again, an elswhere world, beyond. Maps and atlases, where all is woven into and of itself, like a nest. Of crosshatched grass blades?` (Seamus Heaney). Van Manen rolled into photography almost by accident, taking pictures of her children with an old camera. As her work became more public she was soon drafted into the world of fashion photography. In 1977 she tired of the industry, and on discovering the documentary photography of Robert Frank and Josef Koudelka, van Manen began to explore the developing relationship between herself and her subjects, keeping a closeness and developing a personal, organic style of photography. Recent works include Easter and Oak Trees (Mack, 2013) and Moonshine (Mack, 2014)." (from the publisher)***************Mack Books, London. 2014. Erstausgabe. Originalausgabe. Neu, ungelesen, verlagsfrisch. Hardcover (as issued). Embossed hardcover with tipped-in image. 260 x 290 mm. 60 Seiten. 32 Farbfotos. Text in englisch. Perfekter Zustand! Sammler-Exemplar! Sprache: Englisch Gewicht in Gramm: 1600. Seller Inventory # 25158

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About this Item: Göttingen : Steidl Verlag, 2006. Gr 8°, geb. Opp. Condition: Gut. 1. ed. [142] S. : überw. Ill., 23 cm frisches Exemplar. Sprache: Deutsch Gewicht in Gramm: 650. Seller Inventory # 15674

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About this Item: Amsterdam. Feministische Uitgeverij Sara. 1979., 1979. Broschiert mit 178 Seiten. Zahlreiche s/w Fotoabbildungen. Format 22,5 x 20 cm. Zustand: Einband mit Gebrauchsspuren. Kleine Flecke auf der Rückseite. Kurzer Namenseintrag auf dem Vorsatz. Sonst gut erhalten. Aufnahmen von Frauen aus Süd-Europa, Nord-Afrika und der Türkei, die in den Niederlanden leben. Fotos und Text von Bertien van Manen. Sprache: niederländisch. Seller Inventory # BF6935

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About this Item: London : Mack, 2013, 2013. Cloth with dust jacket, 116] p. : ill. ; 21 cm. Fine. Seller Inventory # 191423473

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About this Item: Mack, 2013. Soft cover. Condition: New. Dust Jacket Condition: Fine. 1st Edition. Bertien van Manen's blissful images of family holidays in den Eikenhorst (literally meaning Nest of Oak Trees) from the 1970s are the subject of her latest publication, Easter and Oak Trees. It was her son, one of the primary subjects in the series, who recently reminded van Manen of the archive. Lightness dominates these black and white images, and the obvious pleasure, family warmth and security of her children and family in the less politically correct '70s. Children pose, play and run but ultimately the photographs communicate the intimate comfort that comes with family, uninhibited in their expression and exposure to the camera. Easter and Oak Trees offers an enticing invitation to share a small part of this familial idyll. The images raise the question, could a photographer still do this in 2013? Could she photograph her children naked, footloose and carefree, acting up to the camera with fake cigarettes and a bottle of beer? Or is this spontaneity, this innocence, lost thanks to rancid affairs and small-minded moralism? Whilst this work is some of the earliest made by van Manen, it has all the qualities found in her mature work. "One recognizes the lyrical looseness, the sensuality and the melancholy but also a striving for balance and composition. Her photographs look like free, insouciant improvisations on themes, that later, in 'a Hundred Summers a Hundred Winters' or in 'East Wind West Wind' have taken shape in a more outspoken way". Hripsimé Visser. Seller Inventory # ABE-1552241122895

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About this Item: Mack, 2016. Condition: UsedAcceptable. book. Seller Inventory # M1910164437_4

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About this Item: Mack, 2013. Condition: New. book. Seller Inventory # M1907946462

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About this Item: Mack, 2014. Hardcover. Condition: New. No Jacket. 1st Edition. First edition first impression in new condition, flat signed by Van Manen to title page, no markings, this is a brand new book, please see pics, paypal accepted, any questions please get in touch. Signed by Author(s). Seller Inventory # ABE-13201093088

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About this Item: Mack, 2016. Hardcover. Condition: New. 1st Edition. First edition first impression in new condition, flat signed by Van Manen to title page, no markings, pages clean, binding firm, please see pics, no jacket as issued, paypal accepted, any questions please get in touch. Signed by Author(s). Seller Inventory # ABE-6968772451139270042

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About this Item: MACK, 2014. Hardcover. Condition: As New. 1st Edition. SIGNED, design by Bas Geerts and Grégoire Pujade-Lauraine, 690 gr, 23 x 24 cm. Signed by Author(s). Seller Inventory # 000604

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About this Item: Amsterdam, Feministische Uitgeverij Sara, 1982, 1982. Amsterdam, Feministische Uitgeverij Sara, 1982. Stiff pictorial wrappers (softcover), 20 x 22,5 cms., approx. 180 pp. throughout illustrated in duotone. Rare. Stamp on front inner wrapper, but generally a fine copy. Seller Inventory # 26292

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About this Item: Mack, 2016. Condition: New. book. Seller Inventory # M1910164437

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About this Item: Mack, 2014. Hardcover without dustjacket as issued, unpaginated; in English; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra. Seller Inventory # BeVaMa50

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About this Item: Mack. Hardcover. Condition: Brand New. In Stock. Seller Inventory # zk1910164437

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About this Item: Condition: Sehr gut. Mack Books, London. 2017. First edition, first printing. New, mint, unread; still originally shrink-wrapped in publisher`s foil. Hardback bound with Japanese paper, foil embossed text and tipped-in image. 238 x 215 mm. 112 pages. 65 tritone plates. Text in english. Perfect condition! Collector`s copy! "In December 1975 Dutch photographer Bertien van Manen made a series of black-and-white photographs capturing daily life in metropolitan Hungary. I will be Wolf brings together many of these beautiful and never-before-seen images with the editorial direction of renowned British photographer Stephen Gill. Her snapshots of commuters, grocers, chemists, café workers, and street vendors contain all the hallmarks of a bygone era, before the grip of globalisation was able to make its mark on the country. Imbued with an air of ambivalent nostalgia, the book takes its title from the poem Grief by the 20th century Hungarian poet József Attila." (from the publisher)***************Mack Books, London. 2017. Erstausgabe. Originalausgabe. Neu, ungelesen, verlagsfrisch; noch original-verschweisst in der Plastikfolie des Verlags. Hardback mit eingelassem Foto. 238 x 215 mm. 112 Seiten. 65 Abbildungen in Tritone. Text in englisch. Perfekter Zustand! Sammler-Exemplar! Sprache: Englisch Gewicht in Gramm: 1600. Seller Inventory # 24569

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About this Item: Londra, Mack, 2016. Rilegato (hardback). Condition: Nuovo (New). 32 colour plates / 32 fotografie a colori di Bertien Van Manen . 4to. pp. 60. . Nuovo (New). . Prima edizione (First Edition). . In questo nuovo corpus di lavori, Beyond Maps and Atlases, Bertien van Manen guarda all'Irlanda. Van Manen dice: 'In un primo momento, lavorando in Irlanda, non ero sicura di quello che stavo cercando. Mio marito era morto. Ho fatto a meno della gente e riflettuto sull'atmosfera. Ero guidata da un sentimento e da una ricerca, un desiderio di un qualche tipo di significato in un luogo di miti e leggende. C'era mistero e infinito al confine di una terra oltre la quale non c'era altro che una vasta distesa'. Van Manen si è imbattuta nella fotografia quasi per caso, scattando foto dei suoi figli con una vecchia macchina fotografica. Non appena il suo lavoro è diventato pubblico è stata subito risucchiata nel mondo della fotografia di moda. Nel 1977 stanca di questo settore e attratta dalla fotografia documentaria di Robert Frank e Josef Koudelka, van Manen ha cominciato a esplorare il rapporto che si sviluppa tra se stessa e i suoi soggetti, mantenendo con loro una vicinanza e sviluppando uno stile fotografico molto personale. Seller Inventory # 0000000204305

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About this Item: Feministische Uitgeverij Sara, 1982, 1982. Feministische Uitgeverij Sara, 1982. Stiff pictorial wrappers (softcover), 20 x 22,5 cms., approx. 180 pp. throughout illustrated in duotone. Ex bibliotheca 'Hanny Blokker' (artist; Niedorp, 1945), signed and dated '9-6-1986' in penc on title-page. Seller Inventory # 26296

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About this Item: Amst., 2001. Tet & col. Photogr. Softcover. Seller Inventory # 280888

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About this Item: Condition: Sehr gut. Mack Books, London. 2014. First edition, first printing. Signed by Bertien van Manen! Hardcover. 235 x 225 mm. 112 pages. 78 color plates. Text in english. Condition: Binding lightly weak. At one corner lightly bumped with no consequences for the pages inside. Otherwise new, mint, unread; only opened once for signature. Text in english. Overall very fine copy! Signed by the artist! Collector`s copy! "Spanning almost three decades, Moonshine is a portrait of the American Appalachian folk, a mythologised region populated by `moonshiners`. Van Manen`s images are defined by a fierce intimacy with her subject, as the viewer teeters on the edge of the frame, perpetually trespassing on private moments: rollicking children practicing handstands on the couch; a kneeling daughter combing the hair of her grandmother. Van Manen first visited the region in 1985, to the Appalachian areas of Kentucky, Tennessee and West Virginia, returning periodically up until 2013 to visit mining families with whom she lived: the Boggs family with their ten red-haired sons; miners Mavis and Junior. The intergenerational images subtly trace the insidious changes undergone by Appalachia - the slow and steady demise of the mining industry, and the migration of inhabitants from ramshackle wooden cabins to the city, or urban trailer parks. Van Manen intermixes black-and-white images with later colour work - another register of time passing and the inevitability of change. Bertien van Manen rolled into photography almost by accident, taking pictures of her children with an old camera. As her work became more public she was soon drafted into the world of fashion photography. In 1977 she tired of the industry, and on discovering the documentary photography of Robert Frank and Josef Koudelka, van Manen began to explore the developing relationship between herself and her subjects, keeping a closeness and developing a personal, organic style of photography." (from the publisher)***************Mack Books, London. 2014. Erstausgabe. Originalausgabe. Signiert von Berien van Manen! Hardcover (wie erschienen). 235 x 225 mm. 12 Seiten. 78 Farbfotos. Text in englisch. Zustand: Bindung leicht schief durch Lagerung. Winzige Bestossung an der rechten unteren Ecke der Vorderseite. Ansonsten neu, ungelesen, verlagsfrisch; nur einmal geöffnet für die Signatur. Insgesamt sehr gutes Exemplar! Signiert von der Künstlerin! Sprache: Englisch Gewicht in Gramm: 1600. Seller Inventory # 20718

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About this Item: Draft, England, 2005. Paperback. Condition: New. Draft 002 Autumn 2005 (Numbered) edited by Paul Cohen. A magazine of the arts that only accepts previously unpublished works. Artists in this issue include: : Tappin Gofton, Marcus James & Barnaby Roper, Geoff Dyer, Lewis Baltz, Anthony Burrill, Ben Levy, Plek, Patrice Hanicotte, Bertien Van Manen, Chris Brooks, Phil Bicker, Juliana Sohn, Larry Sultan, Tierney Gearon, Dave Hughes, Henry Wessel, Simon Holmes, Alec Soth. Numbered 223 / 500. 96 pages, paper with stiff cover. High production values. 11" x 8 1/2". Color and black and white reproductions. New. Seller Inventory # 930

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About this Item: London. Mack. 2014., 2014. Illustrierter Leinenenband. 112 Seiten mit zahlreichen S/W- und Farbfotos. Format 24,2 x 23 cm. Sehr guter Zustand. Mint condition Publisher: Spanning almost three decades, Moonshine is a portrait of the American Appalachian folk, a mythologised region populated by , moonshiners, . - Text von Bertien van Manen in englischer Sprache. - Auf dem Vorsatz von Bertien van Manen handschriftlich signiert. Signed by Bertien van Manen. Seller Inventory # BF10489

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About this Item: Amsterdam, De Verbeelding, 2001, 2001. Amsterdam, De Verbeelding, 2001. Stiff illustrated wrappers enclosed in transparent glassine jacket (softcover), 25,7 x 20,2 cms., 232 pp. text in English and Chinese, throughout photographically illustrated in colour. First Edition. ".For a Dutch photographer to have found her way into the intimate corners of Chinese lives must have taken more than that.".The Photographs for this book were made in China between July 1997 and May 2000. In 1994 she published 'A Hundred Summers, A Hundred Winters', a book with photographs made in Russia. This publication was met with critical acclaim and received many awards (Best Photobook of the Year, Maria Austria Prize for Best Photographer of the Year). Seller Inventory # 15891

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About this Item: Steidl, 2008. Hardcover. Condition: New. Seller Inventory # DADAX3865211984

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