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Francesco Di Giorgio Martini's Fortress Complexes: Festungsbauten von Francesco di Giorgio Martini / Fortress Complexes by Francesco di Giorgio Martini - Hardcover

 
9783936681420: Francesco Di Giorgio Martini's Fortress Complexes: Festungsbauten von Francesco di Giorgio Martini / Fortress Complexes by Francesco di Giorgio Martini
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Text in English & German. Francesco di Giorgio Martinis fortress complexes, created at the end of the Quattrocento, continue to look experimental and highly speculative half a millennium later by their semiotic character. They represent an extreme of European architectural history, occupying a position where architecture and sculpture cannot be sharply distinguished any longer. The alien-looking creations represented in this book have their origins in a particular historic situation: the emergence of firearms in the 14th century and their spread in the 15th century had shifted the balance of warfare in favour of the attacking side, against which the defensive structure had not yet found a remedy. Enter Francesco di Giorgio Martini (1439 to 1502) at this point, a native of Siena and one of the Quattrocentos highly versatile artists. He worked mainly in Federico da Montefeltros Urbino, and left behind a body of work that included painting -- the three famous prospects of ideal cities in Berlin, Baltimore and Urbino are attributed to him -- sculpture -- primarily his imposing reliefs -- and architecture -- here he was definitely the outstanding figure between Alberti and Bramante. His achievements as an engineer are equally impressive, and his elaborate designs for machines strongly influenced those of Leonardo da Vinci. He was a true Renaissance uomo universale, though, despite of his voluminous and influential theoretical work, less in the sense of a humanist homme de lettres than as an all-round artist. Francescos sacred and secular structures are classicist and austere in nature, yet his fortress structures look as if, moving beyond all functional concerns, he is exploiting the newness of the task, the lack of any tried and tested technical solutions and the removal of all typological boundaries to give his architectonic fantasies free rein, resulting in an apotheosis of the new, the unfamiliar and the alien. This book is an attempt to understand the strangely gr

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About the Author:
Fritz Barth studied architecture in Stuttgart and Zurich. He runs an architects practice in Fellbach near Stuttgart, teaches at the TU Darmstadt and is the author of a series of books, including a study on the iconography of 16th-century Italian gardens (Die Villa Lante in Bagnaia , 2001), a monograph about the Bohemian Baroque master builder Johann Santini-Aichel (Santini, 2004) and a study of the fortifications of Francesco di Giorgio Martini (Martial Signifiers. Fortress Complexes by Francesco di Giorgio Martini, 2011).

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  • PublisherEdition Axel Menges
  • Publication date2011
  • ISBN 10 3936681422
  • ISBN 13 9783936681420
  • BindingHardcover
  • Number of pages128

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Book Description Buch. Condition: Neu. Neuware - Francesco di Giorgio Martini's fortress complexes, created at the end of the Quattrocento, continue to look experimental and highly speculative half a millenium later by their semiotic character. They represent an extreme of European architectural history, occupying a position where architecture and sculpture cannot be sharply distinguished any longer. The alien-looking creations represented in this book have their origins in a particular historic situation: the emergence of firearms in the 14th century and their spread in the15th century had shifted the balance of warfare in favour of the attacking side, against which the defensive structure had not yet found a remedy. Enter Francesco di Giorgio Martini (1439-1502) at this point, a native of Siena and one of the Quattrocento's highly versatile artists. He worked mainly in Federico da Montefeltro's Urbino, and left behind a body of work that included painting - the three famous prospects of ideal cities in Berlin, Baltimore and Urbino are attributed to him -, sculpture - primarily his imposing reliefs -, and architecture - here he was definitely the outstanding figure between Alberti and Bramante. His achievements as an engineer are equally impressive, and his elaborate designs for machines strongly influenced those of Leonardo da Vinci. He was a true Re-naissance uomo universale, though, despite of his voluminous and influential theoretical work, less in the sense of a humanist homme de lettres than as an all-round artist.Francesco's sacred and secular structures are classicist and austere in nature, yet his fortress structures look as if, moving beyond all functional concerns, he is exploiting the newness of the task, the lack of any tried and tested technical solutions and the removal of all typological boundaries to give his architectonic fantasies free rein, resulting in an apotheosis of the new, the unfamil-iar and the alien.This book is an attempt to understand the strangely grandiose semiotic character of these structures. In doing so, it poses the question of what strategies can be used when seeking a shape for buildings for which there is no precedent.Fritz Barth studied architecture in Stuttgart. He was written a monograph about the Villa Lante, a garden from the 16th century (Die Villa Lante in Bagnaia, Edition Axel Menges, 2001), and another one about Johann Santini Aichel, a Bohemian late-Baroque architect (Santini, 2004). He runs an architecture firm in Fellbach near Stuttgart, and also occasionally works as a photographer. Seller Inventory # 9783936681420

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Book Description Hardcover. Condition: new. Hardcover. Francesco di Giorgio Martini's fortress complexes, created at the end of the Quattrocento, continue to look experimental and highly speculative half a millenium later by their semiotic character. They represent an extreme of European architectural history, occupying a position where architecture and sculpture cannot be sharply distinguished any longer. The alien-looking creations represented in this book have their origins in a particular historic situation: the emergence of firearms in the 14th century and their spread in the 15th century had shifted the balance of warfare in favour of the attacking side, against which the defensive structure had not yet found a remedy. Francesco di Giorgio Martini's fortress complexes, created at the end of the Quattrocento, continue to look experimental and highly speculative half a millennium later by their semiotic character. This book is an attempt to understand the strangely grandiose semiotic character of these structures. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. Seller Inventory # 9783936681420

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Book Description Hardcover. Condition: new. Hardcover. Francesco di Giorgio Martini's fortress complexes, created at the end of the Quattrocento, continue to look experimental and highly speculative half a millenium later by their semiotic character. They represent an extreme of European architectural history, occupying a position where architecture and sculpture cannot be sharply distinguished any longer. The alien-looking creations represented in this book have their origins in a particular historic situation: the emergence of firearms in the 14th century and their spread in the 15th century had shifted the balance of warfare in favour of the attacking side, against which the defensive structure had not yet found a remedy. Francesco di Giorgio Martini's fortress complexes, created at the end of the Quattrocento, continue to look experimental and highly speculative half a millennium later by their semiotic character. This book is an attempt to understand the strangely grandiose semiotic character of these structures. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. Seller Inventory # 9783936681420

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Book Description Condition: New. 2011. Bilingual. Hardcover. Francesco di Giorgio Martini's fortress complexes, created at the end of the Quattrocento, continue to look experimental and highly speculative half a millennium later by their semiotic character. This book is an attempt to understand the strangely grandiose semiotic character of these structures. Num Pages: 128 pages, 50 photos. BIC Classification: ACN; AMB. Category: (G) General (US: Trade). Dimension: 289 x 217 x 18. Weight in Grams: 872. . . . . . Books ship from the US and Ireland. Seller Inventory # V9783936681420

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