It is 1934. Elvira Western has left London and her dull marriage to Paul, a doctor, for Paris and her waiting lover, Oliver, a student radical. But drab hotels and interminable discussions of politics are not her idea of romance, and soon Elvira is longing to escape.
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Christina Stead (1902-1983) was an Australian-born novelist and short-story writer, acclaimed for her satirical wit and penetrating psychological characterizations. She lived in the US for many years, teaching at New York University in 1943 and 1944, and working as a Hollywood screenwriter in the 1940s. She returned to Australia only late in life. Her fourth work, The Man Who Loved Children, has been hailed as a 'masterpiece' by Jonathan Franzen, among others. Stead is considered one of the most influential Australian authors of the twentieth century.
Margaret Harris: is Professor in English Literature at the University of Sydney. She is literary executor for Christina Stead's estate. She is the editor of The Magic Phrase: Critical Essays on Christina Stead (UQP, 2000)."About this title" may belong to another edition of this title.
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Book Description Paperback. Condition: new. Paperback. 'The express flew towards Paris over the flooded March swamps. In a parlour-car, the melancholy dark young woman looked out persistently at the sand-dunes, cement-mills, pines, the war-cemetery with stone banners like folded umbrellas, the fields under water, the bristling ponds with deserted boats and the little naked trees which marked the horizon-searching roads.' It is 1934, and Elvira Western has left London and her dull marriage to Paul, a doctor, for Paris and her waiting lover, Oliver, a student radical. But drab hotels and interminable discussions of politics are not her idea of romance, and soon Elvira is wishing she could leave the city of 'many beauties-and furies', and return home.Christina Stead's second novel dramatises a love triangle against a backdrop of political upheaval. Its publication in 1936 prompted a writer for the New Yorker to call Stead the 'most extraordinary woman novelist' since Virginia Woolf. Set in Paris between the wars. A love triangle, against this backdrop of political upheaval, that highlights women's growing independence. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9781925355703
Book Description Paperback. Condition: New. Language: English. Brand new Book. The express flew towards Paris over the flooded March swamps. In a parlour-car, the melancholy dark young woman looked out persistently at the sand-dunes, cement-mills, pines, the war-cemetery with stone banners like folded umbrellas, the fields under water, the bristling ponds with deserted boats and the little naked trees which marked the horizon-searching roads.It is 1934, and Elvira Western has left London and her dull marriage to Paul, a doctor, for Paris and her waiting lover, Oliver, a student radical. But drab hotels and interminable discussions of politics are not her idea of romance, and soon Elvira is wishing she could leave the city of `many beauties-and furies', and return home. Christina Stead's second novel dramatises a love triangle against a backdrop of political upheaval. Its publication in 1936 prompted a writer for the New Yorker to call Stead the `most extraordinary woman novelist' since Virginia Woolf. Seller Inventory # INJ9781925355703
Book Description Paperback. Condition: New. Language: English. Brand new Book. The express flew towards Paris over the flooded March swamps. In a parlour-car, the melancholy dark young woman looked out persistently at the sand-dunes, cement-mills, pines, the war-cemetery with stone banners like folded umbrellas, the fields under water, the bristling ponds with deserted boats and the little naked trees which marked the horizon-searching roads.It is 1934, and Elvira Western has left London and her dull marriage to Paul, a doctor, for Paris and her waiting lover, Oliver, a student radical. But drab hotels and interminable discussions of politics are not her idea of romance, and soon Elvira is wishing she could leave the city of `many beauties-and furies', and return home. Christina Stead's second novel dramatises a love triangle against a backdrop of political upheaval. Its publication in 1936 prompted a writer for the New Yorker to call Stead the `most extraordinary woman novelist' since Virginia Woolf. Seller Inventory # INJ9781925355703
Book Description Paperback. Condition: Brand New. 512 pages. 8.50x5.50x1.00 inches. In Stock. Seller Inventory # zk1925355705
Book Description Paperback. Condition: new. Paperback. 'The express flew towards Paris over the flooded March swamps. In a parlour-car, the melancholy dark young woman looked out persistently at the sand-dunes, cement-mills, pines, the war-cemetery with stone banners like folded umbrellas, the fields under water, the bristling ponds with deserted boats and the little naked trees which marked the horizon-searching roads.' It is 1934, and Elvira Western has left London and her dull marriage to Paul, a doctor, for Paris and her waiting lover, Oliver, a student radical. But drab hotels and interminable discussions of politics are not her idea of romance, and soon Elvira is wishing she could leave the city of 'many beauties-and furies', and return home.Christina Stead's second novel dramatises a love triangle against a backdrop of political upheaval. Its publication in 1936 prompted a writer for the New Yorker to call Stead the 'most extraordinary woman novelist' since Virginia Woolf. Set in Paris between the wars. A love triangle, against this backdrop of political upheaval, that highlights women's growing independence. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. Seller Inventory # 9781925355703