Product Description:
Hollywood cinema and Los Angeles cannot be understood apart. Hollywood Cinema and the Real Los Angeles traces the interaction of the real city, its movie business, and filmed image, focusing on the crucial period from the construction of the first studios in the 1910s to the decline of the studio system fifty years later. As Los Angeles gradually became one of the ten largest cities in the world, the film industry made key contributions to its rapid growth and frequent crises in economic, social, political and cultural life. Whether filmmakers engaged with the real city on location or recreated it on a studio set, Los Angeles shaped the films that were made there and circulated influentially worldwide. The book pays particular attention to early cinema, slapstick comedy, movies about the movies and film noir, which are each explored in new ways, with an emphasis on urban and architectural space and its representation, as well as filmmaking style and technique. Including many previously unpublished photographs and new historical evidence, Hollywood Cinema and the Real Los Angeles gives us a never-before-seen view of the City of Angels.
Review:
`Mark Shiel's brilliant book provides a sweeping vision of the ways in which the film industry provided viewers a means of conceiving of the urban built environment, and particularly that of Los Angeles. But, what is even more innovative is the ways in which he integrates that discussion with a related consideration of how that industry actually rebuilt the city. This study is a landmark synthesis of film and cultural history.' --Stanley Corkin, Professor of English, University of Cincinnati, and author of Starring New York: Filming the Grime and Glamour of the Long 1970s
'The history of film and the history of Los Angeles have been richly explored in all stages and varieties of their development. Yet never before have they been so deftly analyzed as an integrated phenomenon. Mark Shiel's excellent study is a significant contribution to urban and cinematic cultural history.' --Thomas Hines, Professor of History and Architecture, UCLA, and author of Architecture of the Sun, Los Angeles Modernism, 1900-1970
'Los Angeles engages landscapes of a geographic, geologic, cultural, economic, and political kind. It is a place one finds on a map and on the big screen . . . a sprawling American place captured complexly and completely here in Mark Shiel's suitably sprawling cultural history. Focusing on a century of interactions and disjunctures between the city and the cinema produced there, Shiel introduces something of a new urban ecology of the movies, one in which the landscape and built-environment resonate with enduring American dreams of space and place, of life, leisure and a setting (a location) on which to act it all out.' --Jon Lewis, Professor of English, Oregon State University, and author of books including Hollywood v. Hard Core: How the Struggle over Censorship Saved the Modern Film Industry and American Film: A History
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