Fingersmith: A BBC 2 Between the Covers Book Club Pick – Booker Prize Shortlisted

Waters, Sarah

Softcover

ISBN 10: 1860498833 ISBN 13: 9781860498831

Publisher: Virago, 2012

The book that inspired Park Chan-wook's astonishing film The Handmaiden.Shortlisted for the Orange Prize and the Booker PrizeLondon 1862. Sue Trinder, orphaned at birth, grows up among petty thieves - fingersmiths - under the rough but loving care of Mrs Sucksby and her 'family'. But from the moment she draws breath, Sue's fate is linked to that of another orphan growing up in a gloomy mansion not too many miles away.

Review:

Fingersmith is the third slice of engrossing lesbian Victoriana from Sarah Waters. Although lighter and more melodramatic in tone than its predecessor Affinity, this hypnotic suspense novel is awash with all manner of gloomy Dickensian leitmotifs: pickpockets; orphans; grim prisons; lunatic asylums; "laughing villains" and, of course, "stolen fortunes and girls made out to be mad". Oliver Twist (which is mentioned on the opening page), The Woman in White and The Prince and the Pauper all exert an influence on it but none overawe. Like Peter Ackroyd, Waters has an uncanny gift for inventive reconstruction.

Divided into three parts, the tale is narrated by two orphaned girls whose lives are inextricably linked. It begins in a grimy thieves kitchen in Borough, South London with 17-year-old orphan Susan Trinder. She has been raised by Mrs Sucksby, a cockney Ma Baker, in a household of fingersmiths (pickpockets), coiners and burglars. One evening Richard "Gentleman" Rivers, a handsome confidence man, arrives. He has an elaborate scheme to defraud Maud Lilly, a wealthy heiress. If Sue will help him she'll get a share of the "shine". Duly installed in the Lillys' country house as Maud's maid, Sue finds that her mistress is virtually a prisoner. Maud's eccentric Uncle Christopher, an obsessive collector of erotica (loosely modelled on Henry Spenser Ashbee) controls every aspect of her life. Slowly a curious intimacy develops between the two girls and as Gentleman's plans take shape, Sue begins to have doubts. The scheme is finally hatched but as Maud commences her narrative it suddenly becomes more than a tad difficult to tell quite who has double-crossed who. Waters' penchant for Byzantine plotting can get a bit exhausting but even at its densest moments--and remember this is smoggy London circa 1862--it remains mesmerising. A damning critique of Victorian moral and sexual hypocrisy, a gripping melodrama and a love story to boot, this book ingeniously reworks some truly classic themes.--Travis Elborough

Review:

Totally immersive with brilliantly drawn characters . . . a page-turning thriller while managing to be a tender love story (Adam Kay, author of This is Going to Hurt)