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"[A] broad and thoughtful investigation of how the history of performative art should be documented and studied....The book covers a particularly international scope, with essays devoted to performance art in the U.S., Western Europe, South America, China, the Middle East, Australia, and the Soviet Union, including a timeline of Soviet and Post-Soviet performance and another of performance historiography-that is, surveys and re-performances. The final section records eleven conversations between scholars and performance artists, including Carolee Schneemann, Tehching Hsieh, Ron Athey, Janine Antoni and Marina Abromavic.... The book will be very useful for scholars of performance and can serve as an introduction to the history and questions around the field for performance artists themselves."
--artblog.org"About this title" may belong to another edition of this title.
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