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Stephen Shore: Survey ISBN 13: 9781597113090

Stephen Shore: Survey - Hardcover

 
9781597113090: Stephen Shore: Survey
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Stephen Shore has had a significant influence on multiple generations of artists and photographers. Even for the youngest photographers working today, his work remains an ongoing and indisputable reference point. This book copublished with Fundación MAPFRE in conjunction with the first-ever retrospective exhibition, includes over 250 images that span Shore’s impressive and productive career. The images range from 1969 to 2013, with series such as Early Works, Amarillo, New York City, American Surfaces, and Uncommon Places, among others. Stephen Shore: Survey elucidates Shore’s contributions, as well as the historiographical interpretations of his work that have influenced photographic culture over the past four decades. Both the exhibition and the narrative of the catalogue are conceptualized around three particularly revealing aspects of Shore’s work, including his analysis of photographic and visual language, his topographical approach to the contemporary landscape, and his significant use of color within a photographic context.

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Review:
An exploration of Stephen Shore's groundbreaking photography split into three parts, Survey dissects the complex ideas behind Shore's deceptively straight-forward images.--Phil Bicker "TIME Lightbox "

This substaintial catalogue, published by Fondación Mapfre/Aperture, is-surpisingly-the first to explore Shore's remarkable life and career in depth. The selection of 250 images spans six decades and includes his rarely exhibited black-and-white work: New York street pictures, including a gritty bunch from the mid-'60s and a more stately one from 2002; nature studies in Essex County, New york, taken in 1990; and a portrait from Luzzara, Italy, taken in 1993. There are chapters highlighting his familiar style in color with a view camera-Ukraine and Arizona landscapes-as well as one on his embrace of digital print-on-demand technology.--Richard B Woodward "Bookforum "

This substaintial catalogue, published by Fondacion Mapfre/Aperture, is--surpisingly--the first to explore Shore's remarkable life and career in depth. The selection of 250 images spans six decades and includes his rarely exhibited black-and-white work: New York street pictures, including a gritty bunch from the mid-'60s and a more stately one from 2002; nature studies in Essex County, New york, taken in 1990; and a portrait from Luzzara, Italy, taken in 1993. There are chapters highlighting his familiar style in color with a view camera--Ukraine and Arizona landscapes--as well as one on his embrace of digital print-on-demand technology.--Richard B Woodward "Bookforum "

This substantial catalogue, published by Fundacion Mapfre/Aperture, is surpisingly the first to explore Shore's remarkable life and career in depth. The selection of 250 images spans six decades and includes his rarely exhibited black-and-white work: New York street pictures, including a gritty bunch from the mid-'60s and a more stately one from 2002; nature studies in Essex County, New york, taken in 1990; and a portrait from Luzzara, Italy, taken in 1993. There are chapters highlighting his familiar style in color with a view camera Ukraine and Arizona landscapes as well as one on his embrace of digital print-on-demand technology. But the bulk of the plates and writings here are devoted, rightfully, to the 70's, when Shore completed two exceptional projects, American Surfaces and Uncommon Places. It is hard to imagine them as products of the same artist, so antithetical do they seem in how they are organized and in what subjects they memorialize. "Bookforum"

An exploration of Stephen Shore's groundbreaking photography split into three parts, Survey dissects the complex ideas behind Shore's deceptively straight-forward images. "TIME" Lightbox

Shore revolutionized photography with his colleagues with color, an aesthetic shift that mirrored Warhol s fascination with industrial/mechanical processes and the serial reproduction of images. "Time"

Stephen Shore was part of a remarkable generation that reinvented the medium, subordinating the excessive beauty of color film to a formal discipline "The New York Times"

Shore used seemingly unimportant elements of the landscape lampposts, fences, blank walls and sidewalks to frame back alleys and gasoline strips, imbuing them with a kind of wistful poetry. "The New York TImes" "

This substantial catalogue, published by Fundacion Mapfre/Aperture, is-suprisingly-the frist to explore Shore's remarkable life adn career in depth. The selection of 250 images spans six decades and includes his rarely exhibited black-and-white work: New York street pictures, including a gritty bunch from the mid-'60s and a more stately one from 200; nature studies in Essex County, New York, taken in 1990; and a portrait from Luzzara, Italy, taken in 1993. There are chapters highlighting his familiar style in color with a view camera-Ukraine and Arizona landscapes-as well as one of his embrace of digital print on demand technology. But the bulk of the plates and writings here are devoted, rightfully, to the 70's, when Shore completed two exceptional projects, "American Surfaces" and "Uncommon Places." It is hard to imagine them as products of the same artist, so antithetical do they seem in how they are organised and in what subjects they memorialize.--Richard B. Woodward "Bookforum "

About the Author:
Stephen Shore had his work purchased by Edward Steichen for the Museum of Modern Art, New York, at age fourteen. At seventeen, Shore was a regular at Andy Warhol s Factory, producing an important photographic document of the scene, and in 1971, at the age of twenty-four, he became the first living photographer since Alfred Stieglitz forty years earlier to have a solo show at the Metropolitan Museum of Art. He has had numerous one-man shows, including those at the Museum of Modern Art, New York; Kunsthalle Dusseldorf; Hammer Museum, Los Angeles; Jeu de Paume, Paris; and Art Institute of Chicago. Since 1982, he has been director of the photography program at Bard College. Marta Daho is an independent curator based in Barcelona and the curator of the Stephen Shore exhibition at Fundacion MAPFRE Horacio Fernandez is a photo historian, curator, and author. From 2004 to 2006 he was commissioning general of PHotoEspana. He is author of The Latin American Photobook (Aperture, 2011). David Campany is one of the best-known and most accessible writers on photography. His books include The Open Road (Aperture, 2014), Walker Evans: The Magazine Work (2013), Jeff Wall: Picture for Women (2011), Photography and Cinema (2008), and Art and Photography (2003). His essays have appeared in numerous books and he contributes regularly to Aperture, Frieze, Photoworks, and Oxford Art Journal.

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  • PublisherAperture
  • Publication date2014
  • ISBN 10 1597113093
  • ISBN 13 9781597113090
  • BindingHardcover
  • Number of pages300
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