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9781107111295: Schubert's Late Music: History, Theory, Style
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Schubert's late music has proved pivotal for the development of diverse fields of musical scholarship, from biography and music history to the theory of harmony. This collection addresses current issues in Schubert studies including compositional technique, the topical issue of 'late' style, tonal strategy and form in the composer's instrumental music, and musical readings of the 'postmodern' Schubert. Offering fresh approaches to Schubert's instrumental and vocal works and their reception, this book argues that the music that the composer produced from 1822-8 is central to a paradigm shift in the history of music during the nineteenth century. The contributors provide a timely reassessment of Schubert's legacy, assembling a portrait of the composer that is very different from the sentimental Schubert permeating nineteenth-century culture and the postmodern Schubert of more recent literature.

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This overview of current issues in Schubert studies captures the interdisciplinary diversity of contemporary scholarship on the composer's late works. Contributions offer a revised exploration of Schubert's compositional style including a close examination of the topical issue of 'late' style.
About the Author:
Lorraine Byrne Bodley is Senior Lecturer in Musicology at the National University of Ireland, Maynooth. She is the first woman in Ireland to be awarded a DMUS in Musicology (from the National University of Ireland, 2012) and has recently been elected a Member of the Royal Irish Academy. She has published ten books and is currently writing a new biography of Schubert. Her awards include two DAAD Senior Academic Awards (2010 and 2014), a Gerda-Henkel Foundation Scholarship (2014) and an IRCHSS Scholarship (2001–3).

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Book Description Buch. Condition: Neu. Druck auf Anfrage Neuware - Printed after ordering - Schubert's late music has proved pivotal for the development of diverse fields of musical scholarship, from biography and music history to the theory of harmony. This collection addresses current issues in Schubert studies including compositional technique, the topical issue of 'late' style, tonal strategy and form in the composer's instrumental music, and musical readings of the 'postmodern' Schubert. Offering fresh approaches to Schubert's instrumental and vocal works and their reception, this book argues that the music that the composer produced from 1822-8 is central to a paradigm shift in the history of music during the nineteenth century. The contributors provide a timely reassessment of Schubert's legacy, assembling a portrait of the composer that is very different from the sentimental Schubert permeating nineteenth-century culture and the postmodern Schubert of more recent literature. Seller Inventory # 9781107111295

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