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China and the Victorian Imagination: Empires Entwined: 85 (Cambridge Studies in Nineteenth-Century Literature and Culture, Series Number 85) - Hardcover

 
9781107013155: China and the Victorian Imagination: Empires Entwined: 85 (Cambridge Studies in Nineteenth-Century Literature and Culture, Series Number 85)
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What happens to our understanding of 'orientalism' and imperialism when we consider British-Chinese relations during the nineteenth century, rather than focusing on India, Africa or the Caribbean? This book explores China's centrality to British imperial aspirations and literary production, underscoring the heterogeneous, interconnected nature of Britain's formal and informal empire. To British eyes, China promised unlimited economic possibilities, but also posed an ominous threat to global hegemony. Surveying anglophone literary production about China across high and low cultures, as well as across time, space and genres, this book demonstrates how important location was to the production, circulation and reception of received ideas about China and the Chinese. In this account, treaty ports matter more than opium. Ross G. Forman challenges our preconceptions about British imperialism, reconceptualizes anglophone literary production in the global and local contexts, and excavates the little-known Victorian history so germane to contemporary debates about China's 'rise'.

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'... an immensely valuable and rewarding piece of scholarship.' Mia Chen, Review 19

'Ross Forman's China and the Victorian Imagination compellingly exposes China's critical role in Britain's imperial self-fashioning ... What Forman does exceptionally well - and what is perhaps the most important work of his book - is his careful but firm revision of a concept of Orientalism that has proven increasingly outdated and faulty.' Shanyn Fiske, Journal of British Studies
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Studies of the literature of the British imperialism too often focus on India to the exclusion of other areas. This book redresses the balance by demonstrating how integral China and the Chinese were to the British imagination and to globalization, literature, aesthetics and popular culture from the 1840s to 1911.

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