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Making Time: Picasso's "Suite 347" (35) (American University Studies, Series 20: Fine Arts) - Hardcover
In 1968, near the end of his life, Picasso made 347 etchings that show his interest in television and film, wrestling, and the female nude. Some of the prints refer to old Celestina, the cunning marriage arranger featured in Fernando de Rojas's play. Others investigate the aging process, voyeurism, the orientalized setting of the harem, and explicit lovemaking as the Pope looks on. When the etchings were exhibited in Paris, and later Chicago, there was heated controversy on their status as pornography. In both cities the works were censored. Memory Holloway examines Suite 347 as a summary of the themes of Picasso's work, set in the context of the student conflicts of May 1968 and his continuing experimentation as a printmaker.
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About the Author:
The Author: Memory Holloway teaches twentieth-century art history at the University of Massachusetts Dartmouth. She has written on the collection of Picasso's work in the National Gallery of Victoria, and is the author of Paula Rego: Open Secrets (1999), exhibited in Massachusetts and Paris at the Calouste Gulbenkian Foundation.
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- PublisherPeter Lang Inc., International Academic Publishers
- Publication date2006
- ISBN 10 0820450464
- ISBN 13 9780820450469
- BindingHardcover
- Number of pages292
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Book Description Buch. Condition: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -In 1968, near the end of his life, Picasso made 347 etchings that show his interest in television and film, wrestling, and the female nude. Some of the prints refer to old Celestina, the cunning marriage arranger featured in Fernando de Rojas's play. Others investigate the aging process, voyeurism, the orientalized setting of the harem, and explicit lovemaking as the Pope looks on. When the etchings were exhibited in Paris, and later Chicago, there was heated controversy on their status as pornography. In both cities the works were censored. Memory Holloway examines Suite 347 as a summary of the themes of Picasso's work, set in the context of the student conflicts of May 1968 and his continuing experimentation as a printmaker. 270 pp. Englisch. Seller Inventory # 9780820450469
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Book Description Buch. Condition: Neu. Druck auf Anfrage Neuware - Printed after ordering - In 1968, near the end of his life, Picasso made 347 etchings that show his interest in television and film, wrestling, and the female nude. Some of the prints refer to old Celestina, the cunning marriage arranger featured in Fernando de Rojas's play. Others investigate the aging process, voyeurism, the orientalized setting of the harem, and explicit lovemaking as the Pope looks on. When the etchings were exhibited in Paris, and later Chicago, there was heated controversy on their status as pornography. In both cities the works were censored. Memory Holloway examines Suite 347 as a summary of the themes of Picasso's work, set in the context of the student conflicts of May 1968 and his continuing experimentation as a printmaker. Seller Inventory # 9780820450469
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