Review:
"Beyond its brilliant illumination of Hamlet, Stephen Greenblatt's book uses historical evidence to probe the nature of human memory--by nature insistent, contradictory, in every sense haunted--as it copes with the stark, yet mysterious reality of death. With a rare combination of learning, imagination and grace Greenblatt has created an exciting work of scholarship, alert to the ways a great work of art can both resemble and transform other modes of discourse and perception."--Robert Pinsky
"Hamlet in Purgatory is a virtuoso exercise in untangling the interwoven threads of feeling and belief in early-seventeenth-century England . . . In this bold and brilliant book, Greenblatt demonstrates utterly compellingly why Hamlet can still hold our spiritual attention today."--Lisa Jardine
"My understanding of the traditions concerning Purgatory, both learned and popular, has been gratifyingly deepened by the rich detail of Greenblatt's study. . . . The nature of the ghost of Hamlet's father is an old scholarly puzzle, but Greenblatt's book raises the discussion to a new level, and does so without dogmatism, rather with a subtle acceptance of the ambiguities inherent not only in the Ghost but in the great play as a whole. The book will be welcomed by all who care about the subject, and for the insights already known to abound in this scholar's work."--Frank Kermode
"Stephen Greenblatt is a famously beguiling writer. That power of enchantment does not fail him here. His skill as a storyteller is constantly on display. But so too is his no less renowned skill as a skeptically demystifying cultural critic. The result is a book whose remarkable energy derives, as does that of Hamlet itself, from the mutually contradictory impulses it so tellingly expresses."--Richard Helgerson, University of California, Santa Barbara
"This book is a brilliant essay on memory. Although it serves as a learned history of the idea of Purgatory and a subtle reading of Hamlet, it is primarily a book about how a culture faces loss, one that is gracefully, even movingly, written and one which reveals, as always, Greenblatt to be an unusually sensitive critic and thinker."--David Scott Kastan, Columbia University
"Greenblatt's mode of analysis has always been to leap the gulf between the early modern past and the present. . . . Hamlet in Purgatory, his finest book in years, is a magnificent extended commentary on the otherness of the work in which Hamlet's father's ghost walked on stage. Greenblatt leaves it to us to find the spaces that it now haunts within the family or the world of politics, in the bedroom or on the battlements."---Peter Holland, New York Review of Books
"[A] highly instructive investigation of the role of spirits from the other world in Shakespeare. [Greenblatt's] writing here is poised, precise, and . . . eloquent. . . . Hamlet in Purgatory is an exemplary work of historically informed literary interpretation."---Robert Alter, New York Times Book Review
"This is an interesting book on a grave matter . . . We marvel that the author can make so much out of a slender theme, but it is the device of the good academic writer to make small amounts of material yield golden insights."---Peter Ackroyd, The Times of London
"Greenblatt's fascination with ghostly texts is contagious, and he is virtually unequaled among literary critics as a prose stylist. . . . [Hamlet in Purgatory] greatly succeeds in bringing alive the powerful complex of fear and longing Shakespeare so deftly deployed. Required reading for those who study Shakespeare, this graceful analysis should also give considerable pleasure to those who merely enjoy him."--Publishers Weekly
"Greenblatt's is not by any means nostalgic reading. The book gains its energy from an ongoing tension between the author's intellectual openness to apparently bizarre religious practices and his sharp skepticism. . . . To have explicated new aspects of a play that has probably been more intensely studied than any other work of literature is a remarkable achievement that triumphantly vindicates the book's method. . . . Enthralling reading. . . . Greenblatt has offered genuinely new insights that make the familiar words seem strange and new, and that will speak powerfully to a new generation uneasy about its own unease with an earlier generation's religious beliefs."---David Norbrook, The New Republic
About the Author:
Stephen Greenblatt is the John Cogan University Professor of the Humanities at Harvard University. His many books include Will in the World: How Shakespeare Became Shakespeare and The Swerve: How the World Became Modern, which won a National Book Award and Pulitzer Prize. He is a general editor of The Norton Shakespeare and The Norton Anthology of English Literature
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