The Invention of the Restaurant: Paris and Modern Gastronomic Culture (Harvard Historical Studies): 135

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9780674006850: The Invention of the Restaurant: Paris and Modern Gastronomic Culture (Harvard Historical Studies): 135
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Why are there restaurants? Why would anybody consider eating to be an enjoyable leisure activity or even a serious pastime? To find the answer to these questions, we must accompany Rebecca Spang back to France in the eighteenth century, when a restaurant was not a place to eat but a thing to eat: a quasi-medicinal bouillon that formed an essential element of prerevolutionary France's nouvelle cuisine. This is a book about the French Revolution in taste and of the table--a book about how Parisians invented the modern culture of food, thereby changing their own social life and that of the world. During the 1760s and 1770s, those who were sensitive and supposedly suffering made public show of their delicacy by going to the new establishments known as "restaurateurs' rooms" and there sipping their bouillons. By the 1790s, though, the table was variously seen as a place of decadent corruption or democratic solidarity. The Revolution's tables were sites for extending frugal, politically correct hospitality, and a delicate appetite was a sign of counter-revolutionary tendencies. The restaurants that had begun as purveyors of health food became symbols of aristocratic greed. In the early nineteenth century, however, the new genre of gastronomic literature worked within the strictures of the Napoleonic police state to transform the notion of restaurants and to confer star status upon oysters and champagne. Thus, the stage was set for the arrival of British and American tourists keen on discovering the mysteries of Frenchness in the capital's restaurants. From restoratives to Restoration, Spang establishes the restaurant at the very intersection of public and private in French culture--the first public place where people went to be private.

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Paris and Modern Gastronomic Culture

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Spang writes entertainingly, with a keen sense of humor and with no great reverence for her subject. It is a refreshing contrast to much of the overwritten adulation of restaurants that passes for criticism today.--Roger Harris "Newark Star-Ledger "

Rebecca Spang explodes a culinary myth that has lasted nearly two hundred years.--Margaret Visser"London Review of Books" (11/30/2000)

This is a book that works on a number of different levels. There is meat and drink here for those interested in the metaphysical and metaphorical aspects of eating; a wealth of erudition on some relatively little studied aspects of Enlightenment culture and the French Revolution; and those scholars of the period who follow convention in regarding the rise of the French restaurant as epiphenomenon of the French Revolution, a well presented challenge to their account.--Kate Soper "Radical Philosophy "

Almost every page of this decidedly scholarly though highly readable book gave me something to think about: the origins of restaurant reviewing in the early years of the 19th century, the way in which other Europeans came to identify the restaurant with the essence of French-ness itself, or the fact that in French one word--carte--does double duty for both menu and map.--Michael Gora "Boston Sunday Globe "

Spang chronicles these developments [in the history of restaurants] in a tasty work, which is about far more than food.--Harvard Magazine

A deeply gratifying social history of the Parisian public food world, as multilayered and earthy as pot-au-feu, for all its scholarship, as agreeably informal as a bistro.--Kirkus Reviews

The perfect book for a time of year that celebrates, among other things, food. Historian Rebecca Spang begins with an inspired question: Why are there restaurants? To answer this, she takes the reader back a couple of centuries to France, when a restaurant was actually a thing to eat and not a place to go. Her well-researched, compelling book deservedly won several awards.-- (12/22/2001)

Spang has written an ambitious, thought-changing book. Until now, most restaurant history was pop history, filled with canned 'Eureka!' moments and arch legend-making... Spang's book is an example of the new 'niche' history, and, like the best of such books, it is rich in weird data, unsung heroes, and bizarre true stories about the making of familiar things.--Adam Gopnik "New Yorker "

[A] pleasingly spiced history of the restaurant... How has [the] restaurant ritual come to be? And why does it have this form? Such questions are now familiar in works of cultural and social history...[but] Spang adds to the genre without falling prey to its jargon.--Edward Rothstein "New York Times "

This prize-winning academic historical study is a lively, engrossing, authoritative account of how the restaurant as we know it developed... Rebecca Spang is consistently perceptive about the semiotics of her theme, and as generous in her helpings of historical detail as any glutton could wish.--The Times

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Book Description HARVARD UNIVERSITY PRESS, United States, 2001. Paperback. Condition: New. Revised ed. Language: English. Brand new Book. Why are there restaurants? Why would anybody consider eating to be an enjoyable leisure activity or even a serious pastime? To find the answer to these questions, we must accompany Rebecca Spang back to France in the eighteenth century, when a restaurant was not a place to eat but a thing to eat: a quasi-medicinal bouillon that formed an essential element of prerevolutionary France's nouvelle cuisine. This is a book about the French Revolution in taste and of the table--a book about how Parisians invented the modern culture of food, thereby changing their own social life and that of the world.During the 1760s and 1770s, those who were sensitive and supposedly suffering made public show of their delicacy by going to the new establishments known as "restaurateurs' rooms" and there sipping their bouillons. By the 1790s, though, the table was variously seen as a place of decadent corruption or democratic solidarity. The Revolution's tables were sites for extending frugal, politically correct hospitality, and a delicate appetite was a sign of counter-revolutionary tendencies. The restaurants that had begun as purveyors of health food became symbols of aristocratic greed. In the early nineteenth century, however, the new genre of gastronomic literature worked within the strictures of the Napoleonic police state to transform the notion of restaurants and to confer star status upon oysters and champagne. Thus, the stage was set for the arrival of British and American tourists keen on discovering the mysteries of Frenchness in the capital's restaurants. From restoratives to Restoration, Spang establishes the restaurant at the very intersection of public and private in French culture--the first public place where people went to be private. Seller Inventory # BTA9780674006850

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