Four hundred years from now mankind is strung out across a region of interstellar space inherited from an ancient civilisation discovered on Mars. The colonies are linked together by the occasional sublight colony ship voyages and hyperspatial data-casting. Human consciousness is digitally freighted between the stars and downloaded into bodies as a matter of course.
But some things never change. So when ex-envoy, now-convict Takeshi Kovacs has his consciousness and skills downloaded into the body of a nicotine-addicted ex-thug and presented with a catch-22 offer he really shouldn¿t be surprised. Contracted by a billionaire to discover who murdered his last body Kovacs is drawn into a terrifying conspiracy that stretches across known space and to the very top of society.
A new SF writer completely in command of narrative and technology, writing purely readable and enjoyable SF adventure. This is the first book in a series that will take the reader into an unfolding story that will encompass countless thousands of years and unlock the secret of a lost civilisation.
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In 2411, death is not forever. Afterward, they can read your personality from an implanted "cortical stack" and upload you into a new body--at a price. Hero Kovacs has worn many bodies on different worlds as a former member of the UN Envoy Corps, programmed killers to a man. Now the incredibly rich Bancroft brings him to Earth to investigate a killing... of Bancroft himself, restored from his digital backup and rejecting the police theory of suicide.
Half the vice-lords of 25th-century San Francisco are soon chasing Kovacs with futuristic surveillance, drugs and weaponry. Virtual-reality interrogation means they can torture you to death, and then start again. There's a bleak slave trade in rented or confiscated bodies--and Kovacs finds his current borrowed face is all too well known to both police and underworld.
Ultraviolent set-pieces follow, sprinkled with philosophical asides such as this reflection on a stungun: "It was the single forgiving phrase in the syntax of weaponry I had strapped around me. The rest were unequivocal sentences of death."
There are some James-Bondian implausibilities, such as Kovacs's final confrontation with the villain he's sworn to kill: rather than shooting and leaving fast, he discusses the plot for 10 pages until... but that would be telling. This is high-tension SF action, hard to put down--though squeamish readers may shut their eyes rather frequently. --David Langford
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