<p>The Black Arts Movement of the 1960s and '70s saw an outpouring of creative expression and a burgeoning of black-owned cultural outlets, including publishing houses, performance spaces, and galleries. Central to this movement was the work of its poets, including Amiri Baraka, Nikki Giovanni, Sonia Sanchez, Larry Neal, Haki Madhubuti, and Carolyn Rodgers. Through their collaborations with various editors, publishers, visual artists, critics, and fellow writers, this diverse group produced a dynamic body of books, anthologies, periodicals, and audio recordings, and helped develop new critical approaches to African American literary art.</p><p><i>The Black Arts Enterprise and the Production of African American Poetry</i> examines the literary culture, including the small presses and literary anthologies in which BAM's poets were first published. Focusing on the material production of Black Arts poetry, the book combines genetic criticism with cultural history to shed new light on the period, its publishing culture, and the collaborations of its participants. Howard Rambsy demonstrates how significant the circulation and format of black poetic texts—not simply their content—were to the formation of an artistic movement. The book also focuses on the roles that nationalist ideology, music, and figures such as Malcolm X and John Coltrane played in the formation of Black Arts discourse, and how that discourse served to reintroduce readers to poets such as Langston Hughes, Robert Hayden, Margaret Walker Alexander, and Phillis Wheatley. </p>
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"A significant contribution to the growing body of scholarship about the Black Arts Movement, Rambsy's book is a carefully observed, systematic account of the milieu out of which, and within which, this paradigm-altering movement occurred. ... [A]n indispensable source for information on this seminal moment in American culture."
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<p><b>Howard Rambsy II</b> is Associate Professor in the Department of English Language and Literature and director of the Black Studies Program at Southern Illinois University Edwardsville.</p>
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Book Description Hardback. Condition: New. Language: English. Brand new Book. The Black Arts Movement of the 1960s and '70s saw an outpouring of creative expression and a burgeoning of black-owned cultural outlets, including publishing houses, performance spaces, and galleries. Central to this movement was the work of its poets, including Amiri Baraka, Nikki Giovanni, Sonia Sanchez, Larry Neal, Haki Madhubuti, and Carolyn Rodgers. Through their collaborations with various editors, publishers, visual artists, critics, and fellow writers, this diverse group produced a dynamic body of books, anthologies, periodicals, and audio recordings, and helped develop new critical approaches to African American literary art.The Black Arts Enterprise and the Production of African American Poetry examines the literary culture, including the small presses and literary anthologies in which BAM's poets were first published. Focusing on the material production of Black Arts poetry, the book combines genetic criticism with cultural history to shed new light on the period, its publishing culture, and the collaborations of its participants. Howard Rambsy demonstrates how significant the circulation and format of black poetic texts-not simply their content-were to the formation of an artistic movement. The book also focuses on the roles that nationalist ideology, music, and figures such as Malcolm X and John Coltrane played in the formation of Black Arts discourse, and how that discourse served to reintroduce readers to poets such as Langston Hughes, Robert Hayden, Margaret Walker Alexander, and Phillis Wheatley. Seller Inventory # AAN9780472117338
Book Description Hardback. Condition: New. New copy - Usually dispatched within 4 working days. Examines the literary culture, including the small presses and literary anthologies, in which Black Arts Movement poets were first published. Focusing on the material production of Black Arts poetry, the book combines genetic criticism with cultural history to shed new light on the period, its publishing culture, and the collaborations of its participants. Seller Inventory # B9780472117338
Book Description Hardcover. Condition: Brand New. 216 pages. 9.10x6.20x0.90 inches. In Stock. Seller Inventory # __0472117335