The Picture of Dorian Gray (Norton Critical Editions)

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9780393927542: The Picture of Dorian Gray (Norton Critical Editions)
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"Backgrounds" and "Reviews and Reactions" allow readers to gauge the novel's sensational reception and to consider the heated public debate over art and morality that the novel engendered. "Criticism" includes seven new essays on the novel that reflect key changes in interpretive theory in recent years and reveal the broad range of interpretive perspectives on Wilde and The Picture of Dorian Gray. Michael Patrick Gillespie, Simon Joyce, Donald L. Lawler, Sheldon W. Liebman, Maureen O'Connor, Elli Ragland-Sullivan, and John Paul Riquelme provide their varied assessments. A Chronology and Selected Bibliography are also included.

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Review:

A lush, cautionary tale of a life of vileness and deception or a loving portrait of the aesthetic impulse run rampant? Why not both? After Basil Hallward paints a beautiful, young man's portrait, his subject's frivolous wish that the picture change and he remain the same comes true. Dorian Gray's picture grows aged and corrupt while he continues to appear fresh and innocent. After he kills a young woman, "as surely as if I had cut her little throat with a knife", Dorian Gray is surprised to find no difference in his vision or surroundings. "The roses are not less lovely for all that. The birds sing just as happily in my garden."

As Hallward tries to make sense of his creation, his epigram-happy friend Lord Henry Wotton encourages Dorian in his sensual quest with any number of Wildean paradoxes, including the delightful "When we are happy we are always good, but when we are good we are not always happy." But despite its many languorous pleasures, The Picture of Dorian Gray is an imperfect work. Compared to the two (voyeuristic) older men, Dorian is a bore, and his search for ever new sensations far less fun than the novel's drawing-room discussions. Even more oddly, the moral message of the novel contradicts many of Wilde's supposed aims, not least "no artist has ethical sympathies. An ethical sympathy in an artist is an unpardonable mannerism of style." Nonetheless, the glamour boy gets his just deserts. And Wilde, defending Dorian Gray, had it both ways: "All excess, as well as all renunciation, brings its own punishment."

Review:

"Every line that Wilde ever wrote affected me so enormously." --Morrissey, musician "A heady late-Victorian tale of double-living, in which Dorian's fatal, corruptive influence over women and men alike is suggestively indistinct." --Sarah Waters, author, Fingersmith

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Other Popular Editions of the Same Title

9780486278070: The Picture of Dorian Gray (Dover Thrift Editions)

Featured Edition

ISBN 10: 0486278077 ISBN 13: 9780486278070
Publisher: Dover Publications Inc., 2000
Softcover

9780141439570: The Picture of Dorian Gray (Penguin Classics)

Penguin, 2003
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Digire..., 2016
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9780141442464: The Picture of Dorian Gray (Penguin Clothbound Classics)

Pengui..., 2008
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9781640320611: The Picture of Dorian Gray (Chump Change Edition)

Chump ..., 2017
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