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House of Leaves: The Remastered, Full-Color Edition - Hardcover

 
9780375420528: House of Leaves: The Remastered, Full-Color Edition
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Years ago, when House of Leaves was first being passed around, it was nothing more than a badly bundled heap of paper, parts of which would occasionally surface on the Internet. No one could have anticipated the small but devoted following this terrifying story would soon command. Starting with an odd assortment of marginalized youth -- musicians, tattoo artists, programmers, strippers, environmentalists, and adrenaline junkies -- the book eventually made its way into the hands of older generations, who not only found themselves in those strangely arranged pages but also discovered a way back into the lives of their estranged children.

Now, for the first time, this astonishing novel is made available in book form, complete with the original colored words, vertical footnotes, and newly added second and third appendices.

The story remains unchanged, focusing on a young family that moves into a small home on Ash Tree Lane where they discover something is terribly wrong: their house is bigger on the inside than it is on the outside.

Of course, neither Pulitzer Prize-winning photojournalist Will Navidson nor his companion Karen Green was prepared to face the consequences of that impossibility, until the day their two little children wandered off and their voices eerily began to return another story -- of creature darkness, of an ever-growing abyss behind a closet door, and of that unholy growl which soon enough would tear through their walls and consume all their dreams.

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Review:
I still get nightmares. In fact I get them so often I should be used to them by now. I'm not. No one ever really gets used to nightmares.
Mark Z. Danielewski's first novel House of Leaves is a multi-layered fiction--part horror-story, part philosophical meditation, and mostly very good storytelling. The Navidson family move into a house in Ash Tree Lane. Will Navidson, a Pulitzer Prize-winning photojournalist, decides to document his family's domestic acclimatisation in a film, The Navidson Record, but it soon becomes apparent that something is very wrong with the house, and the film becomes a document of the growing disorientation and terror of the occupants. Later, a blind old man, Zampano, writes about this film: at his death, his papers are in disarray, and the strange narrative and commentary are reconstructed by Johnny Truant, a young LA slacker working part-time in a tattoo parlour. Try as he might, though, Truant can find no record that the film ever existed, but the unaccountable fear begins to haunt him too.
Ever see yourself doing something in the past and no matter how many times you remember it you still want to scream stop, somehow redirect the present, reorder the action?

Danielewski builds, around the armature of the central horror fiction, a complex and involving portrait of three very different characters: Truant's hedonistic trawls through LA are counterpointed by Zampano's intellectual obsessiveness and by the disintegration of Navidson's "cosy little outpost." What is common to all three is a concern for the elusive nature of truth and experience, and the fragility of the deepest human needs for security and family.

A first, casual glance through the book might initially be intimidating, for Danielewski uses an arsenal of post-modern and avant-garde techniques, from multiple typefaces, footnotes and collage to the insertion of photographs, sketches, a page of Braille, and even an index--these are introduced gradually, however, and used almost cinematically to slow down or speed up the reading experience. The use of devices like these is not new of course, but, akin to writers such as David Foster Wallace and Jeff Noon, Danielewski freely unites avant-garde and popular art forms, finding new ways to explore what is, at heart, a deep interest in the addictive properties of narrative. Elsewhere, House of Leaves has already been compared to the film The Blair Witch Project for its mix of pseudo-documentary and genre horror: such comparisons draw attention to the way in which many young writers and film-makers are reinventing tired and formulaic genre traditions.

The book begins "This is not for you": a warning most readers would do well to ignore, for House of Leaves, despite its occasional stylistic overload, is a book that is near impossible to stop reading. --Burhan Tufail.

Review:
"Any hope or fear that the experimental novel was an aberration of the twentieth century is dashed by the appearance of Mark Z. Danielewski's House of Leaves, the first major experimental novel of the new millennium. And it's a monster. Dazzling."
--The Washington Post Book World

"An intricate, erudite, and deeply frightening book."
--The Wall Street Journal

"A great novel. A phenomenal debut. Thrillingly alive, sublimely creepy, distressingly scary, breathtakingly intelligent--it renders most other fiction meaningless. One can imagine Thomas Pynchon, J. G. Ballard, Stephen King, and David Foster Wallace bowing at Danielewski's feet, choking with astonishment, surprise, laughter, awe."
--Bret Easton Ellis

"[Its] chills spark vertigo, its erudition brings on dislocating giddiness . . . House of Leaves is dizzying in every respect."
--Entertainment Weekly

"Stunning . . . What could have been a perfectly entertaining bit of literary
horror is instead an assault on the nature of story."
--Spin

"This demonically brilliant book is impossible to ignore, put down, or persuasively conclude reading. In fact, when you purchase your copy you may reach a certain page and find me there, reduced in size like Vincent Price in The Fly, still trapped in the web of its malicious, beautiful pages."
--Jonathan Lethem, author of Motherless Brooklyn

"[A] tour de force first novel. [It] can keep you up at nights and make you never look at a closet in quite the same way again . . . Staggeringly good fun."
--Chicago Sun-Times

"A novelistic mosaic that simultaneously reads like a thriller and like a strange, dreamlike excursion into the subconscious."
--The New York Times

"If you can imagine that Peter Pan's enemy is not Captain Hook but Neverland itself, or that the whale that swallows Jonah is Moby-Dick, you'll begin to appreciate what this book is about. Anticipate it with dread, seize, and understand. A riveting reading experience."
--Gregory Maguire, author of Wicked: The Life and Times of the Wicked Witch of the West

"Grabs hold and won't let go . . . The reader races through the pages exactly as her mind races to find out what happens next."
--The Village Voice

"Like Melville's Moby-Dick, Joyce's Ulysses, and Nabokov's Pale Fire, Danielewski's House of Leaves is a grandly ambitious multi-layered work that simply knocks your socks off with its vast scope, erudition, formal inventiveness, and sheer storytelling skills." --San Diego Union-Tribune

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  • PublisherPantheon
  • Publication date2000
  • ISBN 10 0375420525
  • ISBN 13 9780375420528
  • BindingHardcover
  • Edition number2
  • Number of pages736
  • Rating

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9780375703768: House of Leaves: Danielewski Mark Z.

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Book Description Hardcover. Condition: new. Hardcover. THE MIND-BENDING CULT CLASSIC ABOUT A HOUSE THATS LARGER ON THE INSIDE THAN ON THE OUTSIDE A masterpiece of horror and an astonishingly immersive, maze-like reading experience that redefines the boundaries of a novel.''Simultaneously reads like a thriller and like a strange, dreamlike excursion into the subconscious." Michiko Kakutani, The New York Times "Thrillingly alive, sublimely creepy, distressingly scary, breathtakingly intelligentit renders most other fiction meaningless." Bret Easton Ellis, bestselling author of American Psycho This demonically brilliant book is impossible to ignore. Jonathan Lethem, award-winning author of Motherless Brooklyn One of The Atlantics Great American Novels of the Past 100 YearsYears ago, when House of Leaves was first being passed around, it was nothing more than a badly bundled heap of paper, parts of which would occasionally surface on the Internet. No one could have anticipated the small but devoted following this terrifying story would soon command. Starting with an odd assortment of marginalized youthmusicians, tattoo artists, programmers, strippers, environmentalists, and adrenaline junkiesthe book eventually made its way into the hands of older generations, who not only found themselves in those strangely arranged pages but also discovered a way back into the lives of their estranged children.Now made available in book form, complete with the original colored words, vertical footnotes, and second and third appendices, the story remains unchanged. Similarly, the cultural fascination with House of Leaves remains as fervent and as imaginative as ever. The novel has gone on to inspire doctorate-level courses and masters theses, cultural phenomena like the online urban legend of the backrooms, and incredible works of art in entirely unrealted mediums from music to video games. Neither Pulitzer Prize-winning photojournalist Will Navidson nor his companion Karen Green was prepared to face the consequences of the impossibility of their new home, until the day their two little children wandered off and their voices eerily began to return another storyof creature darkness, of an ever-growing abyss behind a closet door, and of that unholy growl which soon enough would tear through their walls and consume all their dreams. A family relocates to a small house on Ash Tree Lane and discovers that the inside of their new home seems to be without boundaries. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9780375420528

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