Review:
"Just as important as the show is the first-rate catalog that accompanies it. Published by Yale University Press in association with the Memphis Brooks, it has a revelatory biographical essay by the show's indefatigable curator, Marina Pacini, and several accompanying essays, by Dore Ashton, Deborah Cullen, and Douglas Dreishpoon among others, that do much to deepen our understanding of Marisol, her times, and her preoccupations." --Sebastien Smee, Boston Globe--Sebastien Smee "Boston Globe "
"Substantial and scholarly, [the catalog includes] Deborah Cullen's fascinating essay 'Reframing Marisol: Latin American Contexts' . . . [and] a rich essay by the show's curator, Marina Pacini, who writes: 'For Marisol, the family was a fertile subject that provided access to the history of art, contemporary life, and issues of gender and social politics as well as her own identity.' "--Karen Rosenberg, New York Times--Karen Rosenberg "New York Times "
About the Author:
Marina Pacini is chief curator of American, modern, and contemporary art at the Memphis Brooks Museum of Art, Memphis, TN. Bill Anthes is associate professor of art history at Pitzer College, Claremont, CA. Dore Ashton is professor of art history at the Cooper Union, New York, and senior critic at the Yale School of Art. Deborah Cullen is director and chief curator of the Miriam and Ira D. Wallach Art Gallery at Columbia University, New York. Douglas Dreishpoon is chief curator at the Albright-Knox Art Gallery, Buffalo, New York.
"About this title" may belong to another edition of this title.