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Contracts are the most informative records we have about the nature of commissioning prestigious works of art in the Renaissance. The Business of Art provides a framework for interpreting these important documents by surveying a body of contracts and related records concerning altarpieces and frescoes painted in Italy from the early fourteenth to the early sixteenth centuries. One of the distinctions of this important book lies in its quantifying of contractual information: it focuses attention away from individual commissions and emphasises the patterns and procedures that characterised the activity of commissioning and its development over time. Michelle O'Malley structures her inquiry around a trio of fundamental questions concerning the language that framed contract terms, the ramifications of contract stipulations for production and finance, and the means used to transmit information, particularly visual information, between a painter and his client. At the heart of the book is an analysis of the implications of the monetary decisions made by contracting parties. Set against a consideration of the background of the economic life of the period, the study widens the focus on commissions undertaken in Central Italy - which has been the subject of most of the research on contracts - to include in the analysis commissions from Venice and the Veneto, Lombardy, and Rome and the Papal States. It considers some of the most well-known works of the Renaissance, as well as little-studied and lost altarpieces and frescoes. In taking a fresh approach to the study of contracts and commissioning, The Business of Art demonstrates the fundamental quality of negotiation, involving the equal input of both parties, to the gestation of a new work of art. It underlines the contributions made by both parties, working together, to deciding such issues as the approach to the production of a work, the costs involved in its creation, and the details of its subject matter.
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'...admirably forensic...a pleasure to read'. -- Samson Spanier, Financial Times, November 29, 2005
'This book is beautifully illustrated...[and] serves as an
excellent introduction to the study of the period...'
-- Helen Geddes, The Burlington Magazine, September 2006
Michelle O'Malley is head of the Centre for Research Support, School of Humanities, University of Sussex.
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Book Description Yale University Press, 2005. Hardcover. Condition: Good. VG condition book with dust jacket. DJ is clean, has fresh colours and has little wear to edges. Book has clean and bright contents. Seller Inventory # 9999-9993341600
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Book Description Yale University Press, 2005. Hardcover. Condition: Good. HARDCOVER G - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized. Seller Inventory # M0300104383Z3
Book Description Yale University Press, 2005. Hardcover. Condition: GOOD. Has little wear to the cover and pages. Contains some markings such as highlighting and writing. Supplemental materials are not guaranteed with any used book purchases. Seller Inventory # 0300104383_abe_gd
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