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The author of this text explores notions of authenticity in German and American folklore studies from the 18th century to the present. She demonstrates how ""authenticity"" was used to foster national causes and uphold a belief in ""cultural essence"" against feelings of loss inherent in modernization.
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"Important for scholars in any discipline concerned with cultural analysis. In her focus on folklore and through the tremendous learning and insight she brings to bear on the 'authentic, ' Bendix has provided both a model exploration of one discipline and a broadly consequential analysis of discourses at the heart of many."--Don Brenneis, University of California, Santa Cruz
Important for scholars in any discipline concerned with cultural analysis. In her focus on folklore and through the tremendous learning and insight she brings to bear on the authentic,’ Bendix has provided both a model exploration of one discipline and a broadly consequential analysis of discourses at the heart of many.” Don Brenneis, University of California, Santa Cruz
Regina Bendix is assistant professor of folklore at the University of Pennsylvania. A native of Switzerland, she is the author of several books and many articles about European and American folklore and folklife, including Backstage Domains: Playing William Tell in Two Communities.
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Book Description Univ Wisconsin. Condition: BRAND NEW. BRAND NEW Softcover A Brand New Quality Book from a Full-Time Veteran Owned Bookshop in business since 1992!. Seller Inventory # 2694266
Book Description University of Wisconsin Press, 1997. Paperback. Condition: New. 1. Seller Inventory # DADAX0299155447
Book Description University of Wisconsin Press, United States, 1997. Paperback. Condition: New. New. Language: English. Brand new Book. Authenticity is a notion much debated, among discussants as diverse as cultural theorists and art dealers, music critics and tour operators. The desire to find and somehow capture or protect the 'authentic' narrative, art object, or ceremonial dance is hardly new. In this masterful examination of German and American folklore studies from the eighteenth century to the present, Regina Bendix demonstrates that the longing for authenticity remains deeply implicated in scholarly approaches to cultural analysis. Searches for authenticity, Bendix contends, have been a constant companion to the feelings of loss inherent in modernization, forever upholding a belief in a pristine yet endangered cultural essence and fueling cultural nationalism worldwide. Beginning with precursors of Herder and Emerson and the 'discovery' of the authentic in expressive culture and literature, she traces the different, albeit intertwined, histories of German Volkskunde and American folklore studies. A Swiss native educated in American folklore programs, Bendix moves effortlessly between the two traditions, demonstrating how the notion of authenticity was used not only to foster national causes, but also to lay the foundations for categories of documentation and analysis within the nascent field of folklore studies. Bendix shows that, in an increasingly transcultural world, where Zulu singers back up Paul Simon and where indigenous artists seek copyright for their traditional crafts, the politics of authenticity mingles with the forces of the market. Arguing against the dichotomies implied in the very idea of authenticity, she underscores the emptiness of efforts to distinguish between folklore and fakelore, between echt and ersatz. Seller Inventory # TNP9780299155445
Book Description University of Wisconsin Press, 1997. Condition: New. book. Seller Inventory # M0299155447
Book Description Condition: New. New. Seller Inventory # S-0299155447
Book Description Univ of Wisconsin Pr, 1997. Paperback. Condition: Brand New. 1st edition. 320 pages. 9.50x6.25x0.75 inches. In Stock. Seller Inventory # __0299155447