"synopsis" may belong to another edition of this title.
"Nora Alter's short study of Marker's work does much to restore a sense of the complexity of his motivations and working methods . . . She is especially informative on the aesthetic and political involutions of post-war France. . . . For its filmography and the breadth of its coverage, her book is essential."--Brian Dillon, "Sight and Sound"
"Nora Alter's short study of Marker's work does much to restore a sense of the complexity of his motivations and working methods . . . She is especially informative on the aesthetic and political involutions of post-war France. . . . For its filmography and the breadth of its coverage, her book is essential."--Brian Dillon, "Sight and Sound""
"Nora Alter's short study of Marker's work does much to restore a sense of the complexity of his motivations and working methods . . . She is especially informative on the aesthetic and political involutions of post-war France. . . . For its filmography and the breadth of its coverage, her book is essential."--Brian Dillon, Sight and Sound
"A valuable addition to Marker scholarship."--Film International
"About this title" may belong to another edition of this title.
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Book Description Condition: New. Brand New. Seller Inventory # 0252030737
Book Description Condition: New. Seller Inventory # 4082743-n
Book Description Condition: New. Seller Inventory # 4082743-n
Book Description Condition: New. New. In shrink wrap. Looks like an interesting title! 0.9. Seller Inventory # Q-0252030737
Book Description Hardcover. Condition: new. Hardcover. The maverick filmmaker's personal and political relationships with film Best known in the United States for his visionary short film La Jetee, Chris Marker spearheaded the bourgeoning Nouvelle Vague scene in the late 1950s. His distinctive style and use of still images place him among the postwar era's most influential European filmmakers. His fearless political cinema, meanwhile, provided a bold model for other activist filmmakers. Nora M. Alter investigates the core themes and motivations behind an unpredictable and transnational career that defies easy classification. A photographer, multimedia artist, writer, broadcaster, producer, and organizer, Marker cultivated an artistic dynamism and always-changing identity. ""I am an essayist,"" Marker once said, and his 1953 debut filmic essay The Statues Also Die (with Alain Resnais) exposed the European art market's complicity in atrocities in the former Belgian Congo. Ranging geographically as well as artistically, Marker's travels led to films like the classic Sans Soleil and Sunday in Peking. His decades-long struggle against global injustice involved him with Night and Fog, Le Joli Mai, Far from Vietnam, Le fond du l'air est Rouge, and Prime Time in the Camps. Insightful and revealing, Chris Marker includes interviews with the notoriously private director. Presents an English-language study of Chris Marker, who stands among the most influential filmmakers of the postwar era. This study includes interviews with the director and investigates the core themes and motivations behind an often unpredictable and transnational that defies easy classification. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. Seller Inventory # 9780252030734
Book Description Hardcover. Condition: new. Hardcover. The maverick filmmaker's personal and political relationships with film Best known in the United States for his visionary short film La Jetee, Chris Marker spearheaded the bourgeoning Nouvelle Vague scene in the late 1950s. His distinctive style and use of still images place him among the postwar era's most influential European filmmakers. His fearless political cinema, meanwhile, provided a bold model for other activist filmmakers. Nora M. Alter investigates the core themes and motivations behind an unpredictable and transnational career that defies easy classification. A photographer, multimedia artist, writer, broadcaster, producer, and organizer, Marker cultivated an artistic dynamism and always-changing identity. ""I am an essayist,"" Marker once said, and his 1953 debut filmic essay The Statues Also Die (with Alain Resnais) exposed the European art market's complicity in atrocities in the former Belgian Congo. Ranging geographically as well as artistically, Marker's travels led to films like the classic Sans Soleil and Sunday in Peking. His decades-long struggle against global injustice involved him with Night and Fog, Le Joli Mai, Far from Vietnam, Le fond du l'air est Rouge, and Prime Time in the Camps. Insightful and revealing, Chris Marker includes interviews with the notoriously private director. Presents an English-language study of Chris Marker, who stands among the most influential filmmakers of the postwar era. This study includes interviews with the director and investigates the core themes and motivations behind an often unpredictable and transnational that defies easy classification. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. Seller Inventory # 9780252030734