Ulysses (Oxford World's Classics)

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9780199535675: Ulysses (Oxford World's Classics)
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Ulysses, one of the greatest novels of the twentieth century, has had a profound influence on modern fiction. In a series of episodes covering the course of a single day, 16 June 1904, the novel traces the movements of Leopold Bloom and Stephen Dedalus through the streets of Dublin. Each episode has its own literary style, and the epic journey of Odysseus is only one of many correspondencies that add layers of meaning to the text. Ulysses has been the subject of controversy since copies of the first English edition were burned by the New York Post Office Authorities. Today critical interest centres on the authority of the text, and this edition, complete with an invaluable Introduction, notes, and appendices, republishes for the first time, without interference, the original 1922 text.

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Review:

Ulysses has been labelled dirty, blasphemous and unreadable. In a famous 1933 court decision, Judge John M. Woolsey declared it an emetic book--although he found it not quite obscene enough to disallow its importation into the United States--and Virginia Woolf was moved to decry James Joyce's "cloacal obsession". None of these descriptions, however, do the slightest justice to the novel. To this day it remains the modernist masterpiece, in which the author takes both Celtic lyricism and vulgarity to splendid extremes. It is funny, sorrowful, and even (in its own way) suspenseful. And despite the exegetical industry that has sprung up in the last 75 years, Ulysses is also a compulsively readable book. Even the verbal vaudeville of the final chapters can be navigated with relative ease, as long as you're willing to be buffeted, tickled, challenged and (occasionally) vexed by Joyce's astonishing command of the English language.

Among other things, a novel is simply a long story, and the first question about any story is "What happens?" In the case of Ulysses, the answer could be "Everything". William Blake, one of literature's sublime myopics, saw the universe in a grain of sand. Joyce saw it in Dublin, Ireland, on June 16, 1904, a day distinguished by its utter normality. Two characters, Stephen Dedalus and Leopold Bloom, go about their separate business, crossing paths with a gallery of inforgettable Dubliners. We watch them teach, eat, loiter, argue and (in Bloom's case) masturbate. And thanks to the book's stream- of-consciousness technique--which suggests no mere stream but an impossibly deep, swift-running river-- we're privy to their thoughts, emotions and memories. The result? Almost every variety of human experience is crammed into the accordion-folds of a single day, which makes Ulysses not just an experimental work but the very last word in realism.

Both characters add their glorious intonations to the music of Joyce's prose. Dedalus's accent--that of a freelance aesthetician, who dabbles here and there in what we might call "Early Yeats Lite"-- will be familiar to readers of Portrait of an Artist As a Young Man. But Bloom's wistful sensualism (and naïve curiosity) is something else entirely. Seen through his eyes, a rundown corner of a Dublin graveyard is a figure for hope and hopelessness, mortality and dogged survival: "Mr Bloom walked unheeded along his grove by saddened angels, crosses, broken pillars, family vaults, stone hopes praying with upcast eyes, old Ireland's hearts and hands. More sensible to spend the money on some charity for the living. Pray for the repose of the soul of. Does anybody really?" --James Marcus

Review:

'His standing is second to none among writers of our own century. He was witty, difficult, subtle and perhaps the greatest genius among the many who have come from Ireland to bewilder the world with the magic of art.' -- Irish Independent

"Ulysses will immortalize its author with the same certainty that "Gargantua" immortalized Rabelais, and "The Brothers Karamazov" immortalized Dostoyevsky.... It comes nearer to being the perfect revelation of a personality than any book in existence."
-The New York Times
"To my mind one of the most significant and beautiful books of our time."
-Gilbert Seldes, in "The Nation"
"Talk about understanding "feminine psychology" I have never read anything to surpass it, and I doubt if I have ever read anything to equal it."
-Arnold Bennett
"In the last pages of the book, Joyce soars to such rhapsodies of beauty as have probably never been equaled in English prose fiction."
-Edmund Wilson, in "The New Republic" --Christina Hardyment, The Times

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Other Popular Editions of the Same Title

9781840226355: Ulysses (Wordsworth Classics)

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