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The Marriage of Heaven and Hell (Oxford Paperbacks) - Softcover

 
9780192811677: The Marriage of Heaven and Hell (Oxford Paperbacks)
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The Marriage of Heaven and Hell was created early in Blake's series of illuminated books, each of which was presented by him as an attractive work of art made entirely by his own hand. Written principally in prose, The Marriage represents Blake's first full-scale attempt to present his philosophic message. In it he expresses his extreme humanist views through a system in which Angels and Devils change places, Good becomes Evil, Heaven is Hell. The 27 colour plates are the work of Blake himself, with commentary and introduction by Sir Geoffrey Keynes.

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Review:
“A leading American Blake scholar once described the prospect of editing "The Marriage of Heaven and Hell" as ‘a swamp filled with gators;’ Michael Phillips has navigated his way with great skill through the problems of chronology, textual unity, technique, contemporary context and significance of Blake''s strikingly witty, sardonic, quirky, cryptic product of his unique combination of text and illustration in his illuminated books. As well as the facsimile of Copy B, one of the earliest of the nine known copies of the book, there are twenty-one valuable supplementary color plates of comparable pages from other copies, including a full run of Plate 14 as it occurs in the nine copies produced between 1793 to the year of his death, 1827. The detailed commentary discusses both text and illustrations, and in the case of the illustrations is most helpfully accompanied by appropriate details from Blake''s designs.” — Martin Butlin, formerly Keeper of the British

“This edition of one of Blake’s most potent and provocative books will give great pleasure both to Blake enthusiasts and to those new to his work.”—Tracy Chevalier
--Tracy Chevalier

“This is an excellent scholarly edition of one of Blake’s most fascinating works, likely to become the defining text for generations to come. No one knows as much about Blake’s work in this period as Michael Phillips and he uses his knowledge of the text, its context, and Blake’s printing techniques to open up the question of what Blake thought he was doing with "The Marriage of Heaven and Hell".” —John Mee
--John Mee

A leading American Blake scholar once described the prospect of editing "The Marriage of Heaven and Hell" as a swamp filled with gators; Michael Phillips has navigated his way with great skill through the problems of chronology, textual unity, technique, contemporary context and significance of Blake's strikingly witty, sardonic, quirky, cryptic product of his unique combination of text and illustration in his illuminated books. As well as the facsimile of Copy B, one of the earliest of the nine known copies of the book, there are twenty-one valuable supplementary color plates of comparable pages from other copies, including a full run of Plate 14 as it occurs in the nine copies produced between 1793 to the year of his death, 1827. The detailed commentary discusses both text and illustrations, and in the case of the illustrations is most helpfully accompanied by appropriate details from Blake's designs. Martin Butlin, editor of "The Complete Paintings and Drawings of William Blake"
--Martin Butlin"

This edition of one of Blake s most potent and provocative books will give great pleasure both to Blake enthusiasts and to those new to his work.
--Tracy Chevalier"

This is an excellent scholarly edition of one of Blake s most fascinating works, likely to become the defining text for generations to come. No one knows as much about Blake s work in this period as Michael Phillips and he uses his knowledge of the text, its context, and Blake s printing techniques to open up the question of what Blake thought he was doing with "The Marriage of Heaven and Hell." John Mee
--John Mee"

"A leading American Blake scholar once described the prospect of editing The Marriage of Heaven and Hell as 'a swamp filled with gators;' Michael Phillips has navigated his way with great skill through the problems of chronology, textual unity, technique, contemporary context and significance of Blake's strikingly witty, sardonic, quirky, cryptic product of his unique combination of text and illustration in his illuminated books. As well as the facsimile of Copy B, one of the earliest of the nine known copies of the book, there are twenty-one valuable supplementary color plates of comparable pages from other copies, including a full run of Plate 14 as it occurs in the nine copies produced between 1793 to the year of his death, 1827. The detailed commentary discusses both text and illustrations, and in the case of the illustrations is most helpfully accompanied by appropriate details from Blake's designs." -- Martin Butlin, editor of The Complete Paintings and Drawings of William Blake

--Martin Butlin

"This edition of one of Blake's most potent and provocative books will give great pleasure both to Blake enthusiasts and to those new to his work."

--Tracy Chevalier

"This is an excellent scholarly edition of one of Blake's most fascinating works, likely to become the defining text for generations to come. No one knows as much about Blake's work in this period as Michael Phillips and he uses his knowledge of the text, its context, and Blake's printing techniques to open up the question of what Blake thought he was doing with The Marriage of Heaven and Hell." --John Mee

--John Mee
About the Author:

William Blake (1757-1827) was a nonconformist who associated with some of the leading radical thinkers of his day, such as Thomas Paine and Mary Wollstonecraft. A skilled engraver and illustrator, his illustrated poetry collections resembled the illuminated books of the Middle Ages.

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Other Popular Editions of the Same Title

9780486281223: The Marriage of Heaven and Hell: A Facsimile in Full Color (Dover Fine Art, History of Art)

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ISBN 10:  ISBN 13:  9780486281223
Publisher: Dover Publications Inc., 2000
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