Invisible Man: Ralph Ellison (Penguin Modern Classics)

Ellison, Ralph

Softcover

ISBN 10: 0141184426 ISBN 13: 9780141184425

Publisher: Penguin Classics, 2001

'One of the most important American novels of the twentieth century' The Times

'It is sometimes advantageous to be unseen, although it is most often rather wearing on the nerves'

Ralph Ellison's blistering and impassioned first novel tells the extraordinary story of a man invisible 'simply because people refuse to see me'. Published in 1952 when American society was in the cusp of immense change, the powerfully depicted adventures of Ellison's invisible man - from his expulsion from a Southern college to a terrifying Harlem race riot - go far beyond the story of one individual to give voice to the experience of an entire generation of black Americans.

This edition includes Ralph Ellison's introduction to the thirtieth anniversary edition of Invisible Man, a fascinating account of the novel's seven-year gestation.

With an Introduction by John F. Callahan

'Brilliant' Saul Bellow

Review:

A classic from the moment it first appeared in 1952, The Invisible Man chronicles the travels of its narrator, a young, nameless black man, as he moves through the hellish levels of American intolerance and cultural blindness. Searching for a context in which to know himself, he exists in a very peculiar state. "I am an invisible man," he says in his prologue, "When they approach me they see only my surroundings, themselves, or figments of their imagination--indeed, everything and anything except me." But this is hard-won self-knowledge, earned over the course of many years.

As the book gets started, the narrator is expelled from his Southern Negro college for inadvertently showing a white trustee the reality of black life in the south, including an incestuous farmer and a rural whorehouse. The college director chastises him: "Why, the dumbest black bastard in the cotton patch knows that the only way to please a white man is to tell him a lie! What kind of an education are you getting around here?" Mystified, the narrator moves north to New York City, where the truth, at least as he perceives it, is dealt another blow when he learns that his former headmaster's recommendation letters are, in fact, letters of condemnation.

What ensues is a search for what truth actually is, which proves to be supremely elusive. The narrator becomes a spokesman for a mixed-race band of social activists called "The Brotherhood" and believes he is fighting for equality. Once again, he realises he's been duped into believing what hethought was the truth, when in fact it is only another variation. Of the Brothers, he eventually discerns: "They were blind, bat blind, moving only by the echoed sounds of their voices. And because they were blind they would destroy themselves.... Here I thought they accepted me because they felt that colour made no difference, when in reality it made no difference because they didn't see either colour or men".

Invisible Man is certainly a book about race in America, andsadly enough, few of the problems it chronicles have disappeared even now. But Ellison's first novel transcends such a narrow definition. It's also a book about the human race stumbling down the path to identity, challenged and successful to varying degrees. None of us can ever be sure of the truth beyond ourselves, and possibly not even there. The world isa tricky place, and no one knows this better than the invisible man, who leaves us with these chilling, provocative words: "And it is this which frightens me: Who knows but that, on the lower frequencies, I speak for you?" --Melanie Rehak, Amazon.com

Review:

One of the most important American novels of the twentieth century (Times)

A brilliant individual victory . . . proving that a truly heroic quality can exist among our contemporaries (Saul Bellow)

A stunning block-buster of a book that will floor and flabbergast some people, bedevil and intrigue others, and keep everybody reading right through to its explosive end (Langston Hughes)

Don't try to write the Great American Novel, it has already been done . . . any US epic must address race, which remains the greatest single issue the country faces. (Paul Gambaccini The Week)