The sensational new novel from ‘the greatest storyteller of our age’ (Mail on Sunday).
Connor Fitzgerald is the professional’s professional. Holder of the Medal of Honor. Devoted family man. Servant of his country. The CIA’s most deadly weapon. But for the past twenty-eight years, Fitzgerald has been leading a double life. And only days from his retirement from the Agency, he comes across an enemy even he cannot handle. The enemy is his own boss, the Director of the CIA. And she has only one purpose: to destroy him. Meanwhile, the United States is faced with an equally formidable foe: a new Russian President, determined to force a military confrontation between the two superpowers.
Ranging from the Oval Office in the White House to a Russian Mafia boss’s luxurious hideaway outside St Petersburg, The Eleventh Commandment sets new standards in contemporary thriller writing. Jeffrey Archer scoops his readers up in the first paragraph, and doesn’t let them go until the last. The pace, the ingenuity, the twists, intertwined with a moving love story, show Britain’s bestselling writer at the peak of his page-turning powers.
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One might assume that, given Archer's proximity to genuine political power for much of his life, he would be in a position to bring a greater realism to his story of high-stakes political manoeuvring than other authors without his experience. He certainly encourages this belief on his page of acknowledgements, which includes a former director of the CIA and FBI and a U.S. National Security Advisor. However, readers anticipating evidence of any great insight into this world should prepare to be disappointed--this is not where the strength of the book lies, although there are some nice touches, and a certain suspension of disbelief is necessary to get the best out of it. Mind you, one doesn't doubt that Archer's eleventh commandment, "Thou shalt not be caught", is a maxim many politicians and power-brokers, himself included, have lived their lives by. Where he does succeed, though, is in story-telling, with a relentless plot and the creation of a sympathetic, if barely plausible, central character capable of drawing readers in and carrying them, thrill-a-minute, to a dramatic, surprising and ultimately satisfying conclusion. --Alisdair Bowles
‘A storyteller in the class of Alexandre Dumas’
Washington Post
‘Archer has a gift for plot that can only be described as genius’
Daily Telegraph
‘The man’s a genius’
Fay Weldon, Evening Standard
‘Few are more famous than Archer for keeping the pages turning’
Peter Stothard, The Times
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