Encountering Ensemble (Performance Books)

Britton, John [Editor]; Barnett, David [Contributor]; Boyd, Michael [Contributor]; Brown, Bryan [Contributor]; Camilleri, Frank [Contributor]; Carr, Paul [Contributor]; Chamberlain, Franc [Contributor]; Chapman, Terence [Contributor]; Collins, John [Contributor]; Diedrich, Antje [Contributor]; Evans, Mark [Contributor]; Gerstle, Tanya [Contributor]; Hand, Richard J. [Contributor]; Harrop, Peter [Contributor]; Hilfinger-Pardo, Paz [Contributor]; Hunter, Kate [Contributor]; Jablonska, Malgorzata [Contributor]; Jamieson, Duncan [Contributor]; Jamieson, Evelyn [Contributor]; Johnston, Chris [Contributor]; Krumholz, Brad [Contributor]; Ledger, Adam J. [Contributor]; Loukes, Rebecca [Contributor]; Morris, Eilon [Contributor]; Pitches, Jonathan [C

ISBN 10: 1408152002 / ISBN 13: 9781408152003

Published by Methuen Drama, 2013

About this Item

Near Fine, very tight clean unmarked with bright white pages, no creases no slant, looks unread, former owner last name on first page top corner in PENCIL.

Seller Inventory # 37558

Bibliographic Details

• Title: Encountering Ensemble (Performance Books)
• Publisher: Methuen Drama
• Publication Date: 2013
• Language: English
• ISBN 10: 1408152002
• ISBN 13: 9781408152003
• Binding: Paperback
• Edition: First Edition.
• Condition: As New
• Seller catalogs:
  • Drama

About this title

Synopsis

Encountering Ensemble, is a text for students, teachers, researchers and practitioners who wish to develop a deeper understanding of the history, conceptual foundations and practicalities of the world of ensemble theatre. It is the first book to draw together definitions and practitioner examples, making it a cutting edge work on the subject.

Encountering Ensemble combines historical and contemporary case studies with a wide range of approaches and perspectives. It is written collaboratively with practitioners and members from the academic community and is divided into three sections:
1. Introduction and an approach to training ensembles
2. Practitioner case studies and analysis of specific practical approaches to training ensembles (or individuals in an ensemble context)
3. Succinct perspectives from practitioners reflecting on a range of questions including: What is an ensemble?; the place of ensemble in the contemporary theatre landscape; and training issues.

About the Author

John Britton is Senior Lecturer in Performance at the University of Huddersfield, Course Leader for the MA Ensemble Theatre: Training & Performance (a postgraduate degree based round his unique training processes) and Artistic Director of DUENDE, an international performance ensemble dedicated to developing interdisciplinary and intergenerational new work. John trains ensemble groups worldwide through his workshops in Mexico, Slovenia, France, Germany, Greece, China, Portugal, Australia, India and the UK. John has extensive experience as a director, performer and writer of physical, interdisciplinary and text-based work.