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Condition: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned. A tan to the pages.
Condition: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
Paperback. Condition: Fair. A readable copy of the book which may include some defects such as highlighting and notes. Cover and pages may be creased and show discolouration.
Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Paperback. Condition: Good. The book has been read but remains in clean condition. All pages are intact and the cover is intact. Some minor wear to the spine.
Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
Paperback. Condition: new. Paperback. The relationship between philosopher-critic Walter Benjamin and playwright-poet Bertolt Brecht was both a lasting friendship and a powerful intellectual partnership. Having met in the late 1920s in Germany, Benjamin and Brecht both independently minded Marxists with a deep understanding of and passionate commitment to the emancipatory potential of cultural practices continued to discuss, argue and correspond on topics as varied as Fascism and the work of Franz Kafka. Faced by the onset of the midnight of the century, with the Nazi subversion of the Weimar Republic in Germany and the Stalinist degeneration of the revolution in Russia, both men, in their own way, strove to keep alive the tradition of dialectical critique of the existing order and radical intervention in the world to transform it.In Understanding Brecht we find collected together Benjamins most sensitive and probing writing on the dramatic and poetic work of his friend and tutor. Stimulated by Brechts oeuvre and theorising his particular dramatic techniquessuch as the famous estrangement effectBenjamin developed his own ideas about the role of art and the artist in crisis-ridden society. This volume contains Benjamins introductions to Brechts theory or epic theatre and close textual analyses of twelve poems by Brecht (printed in translation here) which exemplify Benjamins insistence that literary form and content are indivisible. Elsewhere Benjamin discusses the plays The Mother, Terror and Misery of the Third Reich, and The Threepenny Opera, digressing for some general remarks on Marx and satire.Here we also find Benjamins masterful essay The Author as Producer as well as an extract from his diaries that records the intense conversations held in the late 1930s in Denmark (Brechts place of exile) between the two most important cultural theorists of this century. In these discussions, the two men talked of subjects as diverse as the work of Franz Kafka, the unfolding Soviet Trials, and the problems of literary work on the edge of international war. In this volume we find collected together Benjamin's most sensitive and probing writing on the dramatic and poetic work of his friend and tutor Bertolt Brecht. Benjamin's work still exerts an influence over philosophical and cultural thinking today. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Condition: Good. First Edition. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
Language: English
Published by New Left Books, London, 1977
Seller: valley books, Holton, SUFFO, United Kingdom
Soft cover. Condition: Very Good+. 1st Edition Thus. Translated by anna Bostock with introduction by Stanley Mitchell. 124pp.
Condition: NEW.
paperback. Condition: Acceptable. Please see the condition note after this for details, if this is missing please consider Acceptable to mean poor quality that could include major staining, water damage, writing, missing dustjacket, etc etc. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.
Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
Language: English
Published by Non Basic Stock Line, 2003
ISBN 10: 1859844189 ISBN 13: 9781859844182
Seller: Books From California, Simi Valley, CA, U.S.A.
paperback. Condition: Good.
paperback. Condition: Very Good. Orders shipped daily from the UK. Professional seller.
Hardcover. Condition: Fair. No Jacket. Dust jacket missing. Cover and binding are worn but intact. A reading copy in fair condition. Secure packaging for safe delivery.
Couverture souple. Condition: Tres bon. Verso Books collection , 2024. 1 volume broché(s) format In-8 très bon 144 pages - Langue : Anglais.
Paperback. Condition: Brand New. 144 pages. 7.75x5.00x0.50 inches. In Stock.
Condition: New. In.
paperback. Condition: New.
Condition: New. 2024. Trade Paperback. . . . . .
Condition: New. 2024. Trade Paperback. . . . . . Books ship from the US and Ireland.
Paperback. Condition: Brand New. 142 pages. 7.17x5.12x0.47 inches. In Stock.
Hardcover. Condition: Good. Light wear to boards. Content is clean with minor age tone. Owner name to end paper. DJ with some edge wear and toning.
Paperback / softback. Condition: New. New copy - Usually dispatched within 3 working days.
Condition: Very good.
Paperback. Condition: new. Paperback. The relationship between philosopher-critic Walter Benjamin and playwright-poet Bertolt Brecht was both a lasting friendship and a powerful intellectual partnership. Having met in the late 1920s in Germany, Benjamin and Brecht both independently minded Marxists with a deep understanding of and passionate commitment to the emancipatory potential of cultural practices continued to discuss, argue and correspond on topics as varied as Fascism and the work of Franz Kafka. Faced by the onset of the midnight of the century, with the Nazi subversion of the Weimar Republic in Germany and the Stalinist degeneration of the revolution in Russia, both men, in their own way, strove to keep alive the tradition of dialectical critique of the existing order and radical intervention in the world to transform it.In Understanding Brecht we find collected together Benjamins most sensitive and probing writing on the dramatic and poetic work of his friend and tutor. Stimulated by Brechts oeuvre and theorising his particular dramatic techniquessuch as the famous estrangement effectBenjamin developed his own ideas about the role of art and the artist in crisis-ridden society. This volume contains Benjamins introductions to Brechts theory or epic theatre and close textual analyses of twelve poems by Brecht (printed in translation here) which exemplify Benjamins insistence that literary form and content are indivisible. Elsewhere Benjamin discusses the plays The Mother, Terror and Misery of the Third Reich, and The Threepenny Opera, digressing for some general remarks on Marx and satire.Here we also find Benjamins masterful essay The Author as Producer as well as an extract from his diaries that records the intense conversations held in the late 1930s in Denmark (Brechts place of exile) between the two most important cultural theorists of this century. In these discussions, the two men talked of subjects as diverse as the work of Franz Kafka, the unfolding Soviet Trials, and the problems of literary work on the edge of international war. In this volume we find collected together Benjamin's most sensitive and probing writing on the dramatic and poetic work of his friend and tutor Bertolt Brecht. Benjamin's work still exerts an influence over philosophical and cultural thinking today. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
Paperback. Condition: Good. Dust Jacket Condition: No Cover.
First Edition
First UK Edition, preceded by the First German Edition in 1966. Very Good plus in a Very Good plus dust jacket. Book and jacket lightly foxed along the top edges.
Paperback. Condition: Very Good. Paperback 1977. 21x14cm. xx+124 pages. Flat spine. Clean & tight book. Front end paper has a neatly written name. No other inscriptions. BROWNED PAGES. Flat pages. Dispatched ROYAL MAIL FIRST CLASS with TRACKING next working day or sooner securely boxed in cardboard. ref Hvtgry1.