Published by Ashgate, (Burlington, VT, 2013), 2013
ISBN 10: 1409403572 ISBN 13: 9781409403579
Language: English
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Add to basketHardcover. Condition: Very Good. No Jacket. Very Good, internally clean, solid hard cover issued without a dust jacket. The upper fore corners of the cover and the top of the spine are lightly bumped from shipping; this does not affect the pages. #.
Published by Taylor & Francis Ltd, 2016
ISBN 10: 113826816X ISBN 13: 9781138268166
Language: English
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Published by Routledge 2013-04-11, 2013
ISBN 10: 1409403572 ISBN 13: 9781409403579
Language: English
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Published by Taylor & Francis Ltd, 2013
ISBN 10: 1409403572 ISBN 13: 9781409403579
Language: English
Seller: THE SAINT BOOKSTORE, Southport, United Kingdom
Hardback. Condition: New. New copy - Usually dispatched within 4 working days. 575.
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Hardcover. Condition: Brand New. new edition edition. 224 pages. 9.29x6.42x0.75 inches. In Stock.
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Add to basketTaschenbuch. Condition: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Bringing together a transdisciplinary team of leading scholars and artists from North America, Europe and Asia, this volume documents and theorizes this new visibility. It focuses on the proliferation of a range of new visual technologies, examining questions of subjectivity, agency, and surveillance as well as mapping and theorizing new practices of visuality within this new visual assemblage. New Visualities, New Technologies addresses the pressing need for the conceptual understanding of new forms of seeing, looking, presenting, and hiding.
Published by Taylor & Francis Ltd, 2013
ISBN 10: 1409403572 ISBN 13: 9781409403579
Language: English
Seller: THE SAINT BOOKSTORE, Southport, United Kingdom
Hardback. Condition: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.
Seller: AHA-BUCH GmbH, Einbeck, Germany
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Add to basketBuch. Condition: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Back in the 1980s Jean Baudrillard wrote that public space was collapsing due to a double obscenity: 'The most intimate operation of your life becomes the potential grazing ground of the media.The entire universe also unfolds unnecessarily on your home screen.' He termed this the ecstasy of communication. But today, your everyday life is not just the potential grazing ground of the media, but of anyone with a camera, and the entire universe unfolds not just at home but in the palm of your hand virtually anywhere you travel. Bringing together a transdisciplinary team of leading scholars and artists from North America, Europe and Asia, this volume documents and theorizes this new visibility. It focuses on the proliferation of a range of new visual technologies, examining questions of subjectivity, agency, and surveillance as well as mapping and theorizing new practices of visuality within this new visual assemblage. New Visualities, New Technologies addresses the pressing need for the conceptual understanding of new forms of seeing, looking, presenting, and hiding.