Empty Space by Peter Brook (165 results)

Paperback. Condition: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 0.31.

Condition: Good. Used book that is in clean, average condition without any missing pages.

Condition: Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Condition: Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.

Soft Cover. Condition: Good. Cover shows light scuffing at edges and some discoloration from age. No markings. Size: 12mo - over 6¾" - 7¾" tall.

Trade Paperback. Condition: Used.

Condition: Very Good. Very Good condition. Mass Market Paperback edition. (theater, drama) A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp. Bundled media such as CDs, DVDs, floppy disks or access codes may not be included.

Soft cover. Condition: Good. Good vintage copy, pictorial paper cover shows moderate shelf and edge wear, spine is reading crease, very small smain on front cover, back cover has light crease to bottom edge and couple of small stains. Previous owner's name written in ink on inside cover. Pages and text are clean with no writing or tears. Language: eng Language: eng 0.0 Language: eng 0.0 Language: eng 0.0 Language: eng Language: eng.

Softcover. Condition: Good. Third Printing. Good paperback. Light scuffing and creasing to wraps; mild discoloration to pages along bottom corner; ink underlining to last forty pages.

Paper Back. Condition: Very Good. Pages are very clean and bright with no markings. Binding is tight and square. Trivial shelving wear.

Paperback. Condition: Very Good. First Edition. First Edition Thus, 4th Printing (Mar 1982). Not price-clipped. Published by Atheneum, 1978. Octavo. Paperback. Book is very good. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor, New York.

Hardcover. Condition: Very Good. a very copy of the hard cover Academy Addition limited to 100 copies number and signed by the author. This copy was neither numbered nor signed by the author.

Condition: Good. 1968. First Edition. 141 pages. This is an ex-Library book. Laminated pictorial dust jacket over purple cloth stapled to rear board. Ex library copy with associated labels, inserts, stamps and annotations. Pages and binding are presentable with no major defects. Minor issues present such as mild cracking, inscriptions, inserts, light foxing, tanning and thumb marking. Boards have mild shelf wear with light rubbing and corner bumping. Some mild marking and tanning. Unclipped jacket has light edge wear with minor tears and chipping. Mild rubbing and marking. Spine noticeably sunned.

Reprint. Octavo-size paperback. An ownership signature on the half-title, a few phrases underlined on the first page of text, otherwise very good. A famous director gives a distillation of his knowledge and experience of the theatre. Postage within Australia for this small/light book is set at $4, so please disregard any site default rate, which will be adjusted downwards before the order is processed by the bookseller.

Octavo softcover (VG) pencil annotations throughout; all our specials have minimal description to keep listing them viable. They are at least reading copies, complete and in reasonable condition, but usually secondhand; frequently they are superior examples. Ordering more than one book will reduce your overall postage costs.

Soft cover. Condition: Very Good. 1969. Third Discus Printing #19802. 128 pages. Illustrated paper cover. This book came out while I was at university and I bought it then! Peter Brook was the avant garde thinker for daring theatrical production. I recall the spaces he used old warehouses in Paris and unusual places where Suddenly players would perform and then suddenly or gradually an audience would Appear! felt marker 59 on author description page.

softback 157pp., very good condition, summaries of the seminal lectures given by Brook on theatre spaces at the Unievrsities of Hull, Keele, Manchester and Sheffield.

Condition: Sehr gut. Erste Auflage dieser Ausgabe. 213 (3) Seiten. 21 cm. Umschlag: Michael Klein und Stefan Wewerka unter Verwendung einer Zeichnung von Oskar Schlemmer "Die Bühne im, Bauhaus". Sehr guter Zustand. Kopfschnitt minimal fleckig. Adapted from a series of four lectures, originally delivered as the first of the Granada Northern Lectures Peter Brook's The Empty Space is an exploration of four aspects of theatre, 'Deadly, Holy, Rough and Immediate', published in Penguin Modern Classics. 'I can take any empty space and call it a bare stage' In The Empty Space, groundbreaking director Peter Brook draws on a life in love with the stage to explore the issues facing any theatrical performance. Here he describes important developments in theatre from the last century, as well as smaller scale events, from productions by Stanislavsky to the rise of Method Acting, from Brecht's revolutionary alienation technique to the free form Happenings of the 1960s, and from the different styles of such great Shakespearean actors as John Gielgud and Paul Scofield to a joyous impromptu performance in the burnt-out shell of the Hamburg Opera just after the war. Passionate, unconventional and fascinating, his book shows how theatre defies rules, builds and shatters illusions and creates lasting memories for its audiences. Der leere Raum ist der Klassiker unter den Büchern zum Theater. Es basiert auf vier Vorlesungen, die Peter Brook unter dem Titel The Empty Space: The Theater Today in den sechziger Jahren an den Universitäten von Hull, Keele, Manchester und Sheffield hielt. 1968 erschienen diese Gedanken zum Gegenwartstheater in Buchform. Nachdem der Band für längere Zeit vergriffen war, machte ihn der Alexander Verlag 1983 wieder greifbar für das deutsche Publikum. Brook unterteilt das Theater in vier verschiedene Formen: Das konventionelle Theater definiert er als "tödlich", das an Ritualen festhaltende Theater als das "heilige", das leicht verständliche, volksnahe Theater als "derbes" und das von ihm favorisierte als "unmittelbares Theater".- Peter Stephen Paul Brook, CH, CBE (* 21. März 1925 in London, England) ist ein britischer Theaterregisseur, der zu den wichtigsten Vertretern des zeitgenössischen europäischen Theaters gezählt wird. Berühmt sind seine Vorträge über modernes Theater, als Buch herausgegeben 1968 unter dem Titel Der leere Raum", die eine ganze Generation von Regisseuren beeinflussten. Leben: Peter Brook wurde 1925 in London als Sohn von Simon Brook und seiner Ehefrau Ida Brook, geb. Jansen, geboren. Seine Eltern waren jüdische Einwanderer aus Lettland. Er wurde in der Westminster School, der Gresham's School in Norfolk und dem Magdalen College, Oxford unterrichtet. Bereits als Schüler beschäftigte er sich mit dem Medium Theater. Erste Engagements als Regisseur ab 1945 in Birmingham, Stratford-upon-Avon und London, wo er hauptsächlich William Shakespeare inszenierte. In den 1960er Jahren folgten Inszenierungen von Stücken von Jean-Paul Sartre, Friedrich Dürrenmatt, Peter Weiss und Jean Genet. 1970 gründete er in Paris das Centre International de Recherche Théâtrale (CIRT), aus dem das Théâtre des Bouffes du Nord hervorging, welches heute noch existiert. Außer seiner Auseinandersetzung mit außereuropäischen Kulturkreisen (etwa in dem Stück Mahabharata, das sich mit der indischen Mythologie befasst, oder seinem 1979 gedrehten Film Gurdjieff Begegnungen mit bemerkenswerten Menschen) beschäftigt sich Brook bis heute immer wieder mit Shakespeare (z. B. Hamlet). Weitere Verfilmungen: unter anderem des Romans Herr der Fliegen von William Golding, sowie mehrere Shakespeareverfilmungen für die BBC. Peter Brook war von 1951 bis zu ihrem Tod im Jahr 2015 mit der Schauspielerin Natasha Parry verheiratet. Der Ehe entstammen zwei Kinder. . . . Aus: wikipedia-Peter_Brook. Sprache: Deutsch Gewicht in Gramm: 110 Helles Leinen mit einer geprägten Deckelzeichnung und einem Butterpapierenschlag.

in-8, 341 pp., illustrations, broche, couv. illustree. Very good copy. [109B-7].

22.0 x 14.0cms 142pp very good hardback & dustwrapper (2 owners'' signatures & tape stains) The chapters are: the deadly theatre; the holy theatre the rough theatre the immediate theatre. Scarce edition.

Hardcover. Condition: Fair. Dust Jacket Condition: Fair. Ex-library. Library labels and markings. Adhesive tape stains to boards and endpapers. Split to gutter between half-title and title leaves. Chips to blank margins of dust-jacket flaps. Adhesive tape stains to dust-jacket. Dust-jacket protected in archival mylar cover. ; 1969 second printing of a title first published in 1968. 141, [3] pages. Crimson cloth boards with gilt lettering on spine. Page dimensions: 216 x 132mm. Contents: The Deadly Theatre; The Holy Theatre; The Rough Theatre; The Immediate Theatre. "One of the world's most famous directors gives us the distillation of his knowledge and experience of the theatre." - from dust-jacket blurb.

Macgibbon and Kee 1989 third impression in very good condition as new.

Hardcover. Condition: Good. Dust Jacket Condition: Good. 1st Edition. A USED BOOK STILL IN GOOD CONDITION. FIRST AMERICAN EDITION. LITTLE WEARS AND TEARS ON DUST JACKET CORNER AND EDGE. FORMER LIBRARY BOOK WITH LIMITED LIBRARY MARK. PAGES ARE STILL CLEAN AND BINDING STILL TIGHT. LITTLE YELLOWING PAPER BECAUSE OF AGE. LITTLE STAIN DOT ON SOME PAGES BUT NOT AFFECT TEXT. TOTAL 141 PAGES.

Hardback. Condition: Very Good. Dust Jacket Condition: Good. Dust jacket, edgeworn, chipping to front, corners, head and tail of spine, lightly age-toned, unclipped; red cloth covered boards, gilt lettering on spine, corners a touch bumped and rubbed, head of spine age-toned, no owner's mark or annotations, binding tight. ; 8.12 x 5.12 x .12.

paperback. Condition: Good. 1968 First american edition Atheneum hardcover with dust jacket GOOD - Collectible. Standard-sized.

224(1) Seiten, OKlapp-Broschur Inhalt: Das tödliche Theater; das heilige Theater; das derbe Theater; das unmittelbare Theater. Deutsche Übersetzung von Walter Hasenclever. 1.-4.Tausend. Randeinrisse an der Klappe. Die Seitenränder gegilbt. Das Buch wirkt ungelesen. Gutes Exemplar. Good copy. Wikipediaauszug: ".der zu den wichtigsten Vertretern des zeitgenössischen europäischen Theaters gezählt wird. Berühmt sind seine Vorträge über modernes Theater, als Buch herausgegeben 1968 unter dem Titel Der leere Raum", die eine ganze Generation von Regisseuren beeinflussten." Sprache: Deutsch Gewicht in Gramm: 500.

Hardcover. Condition: Good. No Jacket. First U.S. Edition. EX-Library copy with the usual markings. Hardbound, no dust jacket. 1st US edition. Endpapers show tape & dust jacket removal remnants. Foxing & soiling to boards, underlining on several pages, otherwise very good. RARE!

Hardcover. Condition: New. Language:Chinese.HardCover. Pub Date: 2019-10-01 Pages: 176 Publisher: China Friendship Publishing Company Empty Space is Peter Brook's theoretical classic on drama. written in 1968. The author shared his open concept of stage space and original drama concept in four essays on zombie play. sacred play. vulgar play and present play. with .

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. A VG US first edition & first printing hardback in a VG clipped dustjacket - All my books are always securely packed with plenty of bubblewrap in professional boxes and promptly dispatched (within 2-3 days) - SIGNED BY THE AUTHOR - Pictures available upon request. Signed by Author(s).